Rega's Royal Analog Experience at Audio Advice Live 2026
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
ModWright Does it Right at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

Cary SLP-98P tube preamplifier

I had it all wrong. I assumed that the "SLP" in SLP-98P stood for <I>stereo line preamplifier</I>. But <A HREF="http://www.stereophile.com/interviews/399">Dennis Had</A>, Cary Audio's founder and chief designer, told me that it actually stands for <I>sweet little preamplifier</I>. In a day and age when <I>acme</I> is a word without meaning and the fighting Irish are neither, this strikes me as a risky marketing gambit&mdash;but one that may be effective if the name proves true.

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Satellite Radio Subs Jump

Now is clearly crunch time for satellite radio. In the last year alone, over one million new subscribers have been added to front-runner <A HREF="http://www.xmradio.com">XM Satellite Radio</A>'s service, bringing its total to approximately 1.4 million. The company projects that it will reach a total of 2.4 million subscribers by the end of 2004, thus ensuring its survival.

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Added to the Archives This Week

This week we have two John Atkinson speaker reviews from the February 2004 issue. First, JA gets his hands on the <A HREF="http://www.stereophile.com/loudspeakerreviews/204bw">B&W 705 loudspeaker</A>, commenting, "When I heard about the company's new 700 series of speakers, based on the technology featured in their cost-no-object Nautilus series but priced to sell in the real world, I asked to review the $1500/pair 705."

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B&W 705 loudspeaker

When I was first getting interested in "high fidelity," as we called it back in the 1960s, there was an audio dealer in Worthing, England called Bowers & Wilkins. Their advertisement in the February 1966 issue of Hi-Fi News features their annual sale, with a Quad Electrostatic Speaker priced at £30 instead of the manufacturer's recommended £37, and offering other bargains, from ReVox, Quad, Rogers, Leak, and Armstrong. Conspicuous by their absence from the ad are Bowers & Wilkins speakers. The first reference to those I could find was in the August 1968 issue of what was then called The Gramophone, when race-car driver turned audio critic John Gilbert raved about the P2 Monitor. Designed by avid concertgoer John Bowers with Peter Hayward and featuring an EMI bass unit and a Celestion tweeter, the two-way P2 was priced at more than twice the Quad speaker, at £159/pair.
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