LATEST ADDITIONS

Spring typically sees <I>Stereophile</I> release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of <I>Stereophile</I>; to commemorate its publication, we add the <A HREF="http://www.stereophile.com//records2die4/199/">1999 "Records To Die For"</A> to the online archives.

Visitors to the <A HREF="http://www.listen.com">Listen.com</A&gt; website will find a headline on the home page: "Your Guide to MP3 and More." MP3 recordings, while a big hit with young music fans, have not been a favorite of the music business. The key to Listen.com's financial future as a download site is likely whatever ends up falling under "and more."

Last week, the <A HREF="http://www.ce.org">Consumer Electronics Association</A> reported that sales of audio products during November constituted the largest monthly increase since August 1994. Total revenues for the month reached $901 million, representing a 16% increase over last year's figure. The CEA adds that November's sales brought total year-to-date sales to $7.5 billion&mdash;2% ahead of the same period last year.

When I describe the Thiel CS7.2 to friends, the word that gets the biggest reaction is "simple." Veteran audiophiles protest, noting the big Thiel's multiple drivers, complex cabinet, and elaborate, zillion-element crossover. Nonaudiophiles just glance at the 5'-tall speaker, smile sympathetically at Bonnie, and roll their eyes.

One of the challenges I faced in optimizing the performance of the <A HREF="http://www.stereophile.com//loudspeakerreviews/216/">Thiel CS7.2</A> loudspeakers that I reviewed in February 2000 was controlling and tuning their interaction with my listening room. Intuition, experience, trial and error&mdash;all came into play, as did several of the procedures and calculations covered by Jonathan Scull in his "Fine Tunes" column.

Last week we asked about the relatively low-resolution MP3 format. Now let's get your opinion on ultra-hi-rez: the Super Audio CD.

There's not a lot of music in the bottom octave, and there's not a lot of information in the low bass of a movie soundtrack. But there <I>is</I> a lot of power down there in the rumbling subterranean region&mdash;power that adds palpable realism to every type of home entertainment. That's why we go to extremes in our search for low-frequency reinforcement: full-range loudspeakers, and multiple subwoofers, and digital room-correction systems.