Playback Distribution Presents a Grand North American Vienna Acoustics Loudspeaker Debut at Audio Advice Live 2026
Focal Attains Utopia at Audio Advice Live 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Welcome to Audio Advice Live 2026!
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

Sony and Philips Announce Version 1.0 of SACD Specification

Last week, <A HREF="http://www.philips.com">Philips Electronics</A> and <A HREF="http://www.sony.com">Sony Corporation</A> announced the completion of Version 1.0 of the Super Audio Compact Disc (SACD) format specification. According to a statement, the format specification will be released to licensees early this month to allow hardware manufacturers and software providers to begin preparing products for launch in the coming months.

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Added to the Archives This Week:

Ethics and high-end audio have always been a tangled web---especially when it comes to deciding whether to purchase equipment from a helpful local dealer or trying to find the best price possible. In the web reprint of February 1999's "<A HREF="http://www.stereophile.com//thinkpieces/98/">The Final Word</A>," <I>Stereophile</I>'s publisher emeritus, Larry Archibald, examines a recent high-end purchase of his own to shed a little light on the dilemma faced by the audiophile grinding for a great deal. Also included are some choice reader responses.

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Simaudio Moon P-5 preamplifier & W-5 power amplifier

I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.

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Corey Greenberg New Editor of Audio

Audio magazine has appeared to have been in difficulties of late, with falling circulation, advertising revenues, and issue size. The current editor-in-chief, Michael Riggs, has worked hard in the past few years to create a more appealing editorial product, since he replaced long-term editor Gene Pitts. However, an even bigger change is now taking place.
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Recording of March 1999: Tracks

<B>BRUCE SPRINGSTEEN: <I>Tracks</I></B><BR> Columbia CXK 69475 (4 CDs). 1998. Bruce Springsteen, Chuck Plotkin, prods., engs.; Jon Landau, Stevie Van Zandt, Roy Bittan, Mike Appel, Jim Cretecos, John Hammond, orig. engs.; Ed Thacker, Bob Clearmountain, Thom Panunzio, remix engs. AAD? TT: 4:13:30<BR> Performance <B>*****</B><BR> Sonics <B>****?</B>

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