Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Steinway Lyngdorf Mounts Up at Audio Advice Live 2026
Playback Distribution Presents a Grand North American Vienna Acoustics Loudspeaker Debut at Audio Advice Live 2026
Focal Attains Utopia at Audio Advice Live 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

John Tchilinguirian: Energetic Speakers

Canadian speakers from such companies as Mirage, PSB, and Paradigm have acquired international reputations for offering good sound at more-than-competitive prices. The latest Canadian speaker manufacturer to hit the big time might well be Energy, which has actually been around for about 15 years, but has only recently introduced a flagship speaker. Energy's $6000/pair Veritas v2.8 earned Tom Norton's commendation for having produced one of the best sounds at the 1993 Las Vegas WCES. [<A HREF="http://www.stereophile.com//loudspeakerreviews/551/">TJN's review</A> appears in this issue.&mdash;Ed.]

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Recording of May 1994: Gershwin: Original Works and Transcriptions for Solo Piano

<B>GERSHWIN: Piano Music</B><BR> <I>Rhapsody in Blue</I> (solo piano version by Gershwin); 3 Preludes; "Sleepless Night"; Impromptu in 2 Keys; Song Transcriptions: "Sweet and Low-Down," "Maybe," "Clap Yo' hands," "So am I," "Looking for a Boy," "Someone to Watch Over Me," "That Certain Feeling"; Second Rhapsody (solo piano version by David Buechner)<BR> David Buechner, piano<BR> Connoisseur Society CD 4191 (CD only). Patricia A. Duciaume, eng.; E. Alan Silver, prod. D?D. TT: 59:26

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Ticket Prices

Stereophile Consulting technical editor Robert Harley and I were walking down Brooklyn's Flatbush Avenue trying to remember where we'd parked our rental car. We were in town for the Fall 1993 Audio Engineering Society Convention, and had just had dinner with record reviewer Beth Jacques.
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Space...the Final Frontier

High-end audiophiles are space freaks---we relish the warmth and spaciousness of a fine, old performing hall almost as much as we do the music recorded in it. But my attendance at a series of orchestral concerts held last summer brought home to me---as never before---the sad fact that our search for the ultimate soundstage is doomed to failure: we're trying to reproduce three-dimensional space from a two-dimensional system, and it simply can't be done.

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1994 Records To Die For

Here we go again---the usual <I>Stereophile</I> suspects rounding up some very <I>un</I>usual suspects of their own, and all collected in "Records To Die For," the highest annual concentration of surprising recommendations in the biz. Reviewers of wares soft and hard pick their absolute most favoritest recordings, each of which must be a) a topnotch performance in b) topnotch stereo sound. But be warned: some of us cheat (if we can get away with it).

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1992 Records To Die For

Letters? Boy, did we get letters last year when we ran the very first "Records to Die For": subscription renewals, subscription cancellations, groveling gratitude, death threats, paeans, pans, madness, ecstasy, invitations to any number of sanity hearings (we sent our regrets)---and that was just from our own staff. How could we <I>not</I> do it again?

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