LATEST ADDITIONS

When I was a kid, I wanted to grow up to become a professional baseball player. I loved playing ball, and all of the adult men in my family seemed to respect it, too. When I wasn't playing ball, I'd be in my room, listening to the radio, and drawing up my own baseball cards. Collecting cards, too, was a wonderful hobby. The photographs on the fronts were nice, but I was more interested in the information on the backs. Even when UpperDeck came out with their glossy, action photos, Topps cards remained, in my mind, the absolute best. Topps cards listed all of the stats for every single season of a ballplayer's career, even going back at times to his minor league years. How can you beat that?

"Come As You Are" came to an end, and Billy Joel took its place. I lifted myself slowly, studied the radio, and pressed the button marked "Band." Just as ever, like magic, an AM station came through, covered in static and fuzz. It took me only a few moments to find the familiar voice and the catchy jingle, "Let's go Mets! F – A – N!"

That's ECM, in case you didn't know. Geoff Dyer tells us how a label changed the way he listened to music.

Russell Baker's essay in the <I>NYRB</I> is ostensibly a review of two new books bemoaning the current state of journalism. The real pleasure, of course, is reading Russell Baker's take on the subject. Gosh, I miss him.

Nope, not politics&mdash;physics.

Cory Doctorow has a new column in <I>The Guardian Unlimited</I>, which in itself is great news. Even better, he hits one out of the park first time out, with a comparison of DRM and ideologically comforting junk science.

Junior (John L. Doughty, Jr.) is a Mississippi Delta cultural anthropologist who documents juke joint culture. That means he gets to hang out in jukes and talk to people (and photograph it all). What a great job.