Dutch & Dutch at High End Vienna 2026
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Coturn by Thorens at High End Vienna 2026

LATEST ADDITIONS

Andrew Hill, R.I.P.

I was saddened to learn of Andrew Hill's death this weekend. Ever since I discovered his intensely original music, his recordings have been touchstones for me, including the brilliant <I>Passing Ships</I>, a record that was actually held back by Blue Note for 35 years as "unreleasable."

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HE2007 Offers Free Concerts!

A ticket to Home Entertainment 2007&mdash;The High Performance Sound & Imaging Show,, to be held May 11-13, 2007 at the Grand Hyatt New York Hotel in New York City, offers attendees a chance to hear live musical performances from some of the great artists of classical music and jazz.

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Faking It

Hugh Barker and Yuval Taylor have written <I>Faking It: the quest for authenticity in popular music</I>, a book that tackles the "pop paradox": the harder popular musicians try to "keep it real," the faker their music becomes.

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Bryston B100-DA SST DAC/integrated amplifier

Over the years, I have used and enjoyed in my audio system large, single-purpose components. Each of these chassis has had but one role: preamplifier, amplifier, digital-to-audio converter (DAC), etc. I guess I've been just a little suspicious of products with multiple functions crammed into a single small chassis; I've figured that the designer may have cut a corner that could affect the sound.
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Audience Adept Response power conditioner

I can't remember a time when I wasn't concerned about power quality. I grew up around finicky, home-brew ham-radio gear and labs full of instruments, and with both, power-conditioning gear was standard fare. When I moved into high-end audio, it seemed obvious that power quality was important. As a result, I've experimented with a wide range of power-conditioning equipment, from simple ferrite loops to huge isolation transformers, and even exotic laboratory power supplies that could vary the voltage, frequency spectrum, and shape of the AC signal.

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