Dutch & Dutch at High End Vienna 2026
Klaudio at High End Vienna 2026
MSB Technology at High End Vienna 2026
Coturn by Thorens at High End Vienna 2026

LATEST ADDITIONS

No More Dry Eyes

Yesterday, we published a photo&mdash;see <A HREF="http://blog.stereophile.com/he2006/060106dryeye/">http://blog.stereophi… audiophiles listening to a CD-R of the provisional master of "Shenandoah" from my new recording of Cantus' <I>There Lies the Home</I> album, due for release in July, on the new Wilson WATT/Puppy 8s. You can see in that picture Wilson's Peter McGrath about to shoot a photo. This is what he captured. But what is Mikey Fremer holding in his hand?

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Moscode Drives Josephs with Aplomb

Wes Phillips went gaga over the Moscode HR410 amplifier in the current (June) issue of Stereophile and at HE2006, I was equally impressed by the amplifier driving Joseph RM25XL Special Edition speakers ($4199/pair). Source was a Yamaha SACD player and a Placette Active Line Stage. I listened to SACDs of a Mahler symphony (from the Michael Tilson-Thomas cycle with the SFSO) and "Swing Live" on Chesky (for which I had been present at the sessions) and the sound was vivid without being over-hyped. Moscode's Gage Rommel showed me a mockup of the forthcoming Moscode preamplifier. This is still having its feature set argued over, including whether it should have a Bluetooth link with the remote so an LCD screen on the latter could mirror the preamp's front-panel display.

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Less Room = More Music

One of the great demos at the show is a comparison between two identical systems and rooms, with one major difference: one has been treated with Real Traps and RPG acoustic treatment products and one left au natural. The display was hosted by dealer Ultimate Audio Video and acoustics consultants Rives Audio and the difference was not subtle. As Stephen pointed out, the treated room was much easier to listen to, with a more open soundstage and less confused imaging. Rives Audio treated the room with RPG's products and Real Traps Corner Mondo Traps and Tri-Corner Bass Traps. Richard Rives Bird commented that after being set up, both rooms were within 3dB of flat in the bottom end, so the company's PARC equalizer was not even needed.

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LAGQ Stuns Audience

The live music portion of HE 2006 opened Friday with a performance from the Los Angeles Guitar Quartet, who have a new album out on Telarc. Fred Manteghian, Stephen Mejias and myself, all guitarists, sat in the front row and decided we all need to practice harder. Much harder.

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Avid Analog

Music Direct was showing off two new turntables in the Avid line: the $4500 Volvere and the $7500 Sequel. The Volvere was developed by using the flagship model Acutus as its prototype and removing or downsizing only those elements that had the least effect on sound quality. Like the Acutus, the Volvere has adjustable suspension, adjustable horizontal damping, and a motor mount that keeps the subchassis and platter from dancing closer and further apart from one another(a common problem with many sprung subchassis models).

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Continuum Digs That Groove

Continuum has continued to refine its flagship Caliburn turntable system ($99,950). Chief among the changes are the Cobra tonearm's new shape, said to result in greater rigidity, and the Castellon stand's magnetic suspension. The Continuum system sure made a 50-year-old <I>Moods of Gene Ammons</I> LP sound fresh and present.

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Thiel CS3.7 Debut

Jim Thiel's CS3.7 was announced at CES 2006 and even <I>shown</I>&mdash;sort of. It wasn't a working model and it was packed with new technological, um, wrinkles, such as its 4.5" aluminum midrange ring with an "undulating, radially ribbed contour." Not to mention the 3.7's new, ribbed 10" woofer and passive radiator, which resemble hubcaps of the "spinner" variety.

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