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CES 2014

Audio Arts & Zellaton's Reference loudspeakers

John Atkinson Jan 15, 2014

Like Stephen Mejias at the 2013 Rocky Mountain Audio Fest, I have been impressed by the German Zellaton speakers when I have heard them, both at shows, and at a dealer event I attended in 2012 at Fidelis Audio in New Hampshire. With foil-covered drive-units, a crossover from Duelund Coherent Audio, and driven by Trinity balanced phono and line preamps and 200Wpc CH M1 amplification from Switzerland, the three-way Reference speakers sounded forceful and detailed.

CES 2014

ATC & Antelope

John Atkinson Jan 15, 2014

Jon Iverson already reported on the Antelope DAC, but as I have just favorably reviewed their SCM 7 v.3 minimonitor for the forthcoming April issue of Stereophile, I was more interested in the active ATC SCM100SL Towers in the room. This speaker combines ATC's proprietary soft-dome midrange driver with a 1" tweeter and 12" woofer, tri-amped by ATC's Anniversary amplification. With a laptop running JRiver Media Center feeding data to the Antelope Zodiac-Platinum DAC with its Voltikus power supply, the 24/96 transfer of Steely Dan's "Babylon Sisters" was reproduced with tight, well-controlled low frequencies.

CES 2014

Angelic Sound

John Atkinson Jan 15, 2014

Loudspeaker manufacturer Angel Sound from Las Vegas was a new name to me, but I was drawn into their room at CES by this striking-looking speaker, which resembles a flame. Called, according to my notes, the S8, the speaker uses ScanSpeak drivers, can be supplied in custom colors, and costs $180,000/pair. The system in use featured Angel Sound DAC, amplifier, and cables, with a C.E.C transport, but the adverse room acoustics prevented me from forming any real opinion of the speakers' sound quality.

CES 2014

One touch—the BeoSound Essence

John Atkinson Jan 15, 2014

"One touch," that’s all it takes for you to enjoy your music, said B&O CEO Teo Mantoni, introducing the Danish company’s BeoSound Essence music-streaming system to the press at CES, and compared that one-touch solution to the current compendium of 10 swipes and presses that you need to playback a Spotify playlist from your smartphone. Mr. Mantoni is holding the elegant Essence Remote in his hand; a ring around the small aluminum puck controls volume and play/pause, forward and backward buttons are embedded on the top. The circular puck is available as wall-mount and desktop versions, and a remote box both connects to the playback system and is the center for AirPlay streaming, DLNA streaming, Spotify Connect, QPlay and Internet radio stations.

CES 2014

Astell&Kern Branches Out

Jason Victor Serinus Jan 15, 2014

Astell&Kern, whose audiophile-grade portable music player won over John Atkinson, and whose AK120 model won a 2014 CES Innovations Design and Engineering Award, offered a sneak peak at their prototype Cube One, class-A, 20Wpc, 300B, push-pull integrated amplifier (no price set). Due in the second half of 2014, the Cube One delivered very liquid and illumined sound through Astell&Kern’s prototype loudspeakers. Expect a complete Astell&Kern system before too long, and check out Jon Iverson's report on A&K’s new AK240 media player.

CES 2014

Ayre's New Preamplifiers

Jason Victor Serinus Jan 15, 2014

Shipping by the end of January, Ayre's new KX-R Twenty preamplifier ($27,500) is a complete redesign of the KX-R that was introduced in 2008. Among the new baby's features: a completely new "Ayrelock power supply" with twice the capacitance as of old, an optimized Equilock gain stage and Diamond output stage, significant part upgrades in all critical areas of the audio circuit, and, of course, "proprietary tweaks." Also playing in the system, which featured Vivid Giya G1 speakers, were the forthcoming MX-R 20 20th Anniversary monoblock amplifiers. There is as yet no retail price, as the parts are being finalized over the next two weeks.

CES 2014

Lamm's New Phono Preamplifier

Jason Victor Serinus Jan 15, 2014

The complete Lamm system on the 35th floor, whose total retail cost, including $216,070 for the Lamm components, $120,000 for the Verity Audio Lohengrin II S speakers, and $100,000 for the Tech DAS Airforce 1 turntable, along with Kubala-Sosna cabling, was a mere $670,071. But my brief was to cover amplification and shown only in passive display was Lamm Industries' new LP2.1 class-A, dual-monophonic tube phono preamp ($8590 regular, $8890 deluxe.)

CES 2014

Bam Bam from Tri-Art

Jason Victor Serinus Jan 15, 2014

Tri-Art Audio of Canada displayed its complete mid-level Bam Bam system, whose cost was under $35,000. Built to a very strict price point, the electronics, all stuffed with sheep's woolwhy didn't they name it the Bah Bah system?included the new Bam Bam passive preamplifier ($1295), which is housed in a solid wood cabinet and allows for passive bi-amping and tri-amping without an electronic crossover; Bam Bam 75Wpc class-D balanced amplifier #75-S ($1995); and Bam Bam 24V battery power supply ($900).

CES 2014

Manufacture Le Son

Jason Victor Serinus Jan 15, 2014

Swiss company Manufacture Le Son was one of many that attended CES in hopes of securing US distribution. In tow was their LS002 Le Son (approx. $35,000), a dual-mono class-B stereo amplifier that outputs a bit more than 100Wpc into 8 ohms, and 180Wpc into 4.

CES 2014

Le Son System Two

Jason Victor Serinus Jan 15, 2014

A second system which was not playing included Merlin Audio Lab's Korean-designed, Swiss-made 214 preamplifier.