The phrase "the mystic chords of memory" comes from Abraham Lincoln's First Inaugural Address. Of course, larger issues than those addressed in this column occupied most peoples' minds just then. But it is nonetheless worthwhile for us to spend a moment or two thinking about how differently people experienced music in 1861, compared to how things are today.
Victor Tiscareno and Byron Collett of AudioPrism are known in audiophile circles for their complete line of power-conditioning products. (See Barry Willis' omnibus review in the December 1998 <I>Stereophile</I>.) Their intimate knowledge of the ever-capricious electrical supply has resulted in a series of front-end components bearing the company's logo. The flagship Mana Reference monoblocks, under consideration here, represent AudioPrism's collected wisdom and engineering savvy taken to its logical extreme.
It's conventional wisdom among audiophiles: Small, high-end audio companies build high-quality products in small numbers. Products which are often expensive. But not always. Big mass-market companies build cookie-cutter products in big numbers. They're usually cheap. But not always.
Klaus Heymann has some surprising news. During an in-person chat in the lobby of San Francisco's Mandarin Oriental Hotel, the founder of the label that turned the classical-music recording industry on its ear revealed that, in the US, classical-music sales for the labels that Naxos distributes are stable.
Today Klipsch announced the launch of their new Synergy Series loudspeakers. If recent reviews by Wes Phillips (of <a href="http://www.stereophile.com/audaciousaudio/klipsch_palladium_p-39f_louds… $20,000/pair P-39F</a>) and Erick Lichte (of <a href="http://www.stereophile.com/standloudspeakers/klipsch_palladium_p-17b_lo… $4000/pair P-17B</a>) can offer any indication of what to expect from this new Synergy line, we are in for a treat.
The September 2010 issue of <i>Stereophile</i> is now on newsstands. The cover shows an extreme close-up of the Audio Research VSi60 integrated amplifier, highlighting its beautiful tubes. I was very impressed by this amplifier’s looks, as well as what I (perhaps fancifully) perceived to be its contributions to a very fine <i>system</i> <a href="http://blog.stereophile.com/ssi2009/audio_research_vsi60/">at the 2009 SSI</a>, so I was happy to learn we’d be featuring the VSi60 on our cover.
As evidenced by the response to last week's vote, audiophiles are increasingly turning to their computers as a source of music. Should <I>Stereophile</I> review more or fewer computer audio products?
Bo Christensen, who was the guiding light behind, first, Primare, then Bow Technologies, graduated as an architect—not surprising, considering his products' drop-dead-gorgeous looks. I talked with Bo while preparing my review of his Bow Technologies ZZ-Eight CD player (see <I>Stereophile</I>, August 1998, Vol.21 No.8), and started by asking him if his knowledge of electronics was self-taught.
Fred Hersch, one of the top handful of jazz pianists on the scene, spent several months in a coma last year, owing to complications from HIV, with which he’s been living for well over a decade. When he emerged, he had to teach himself how to play piano all over again—not the technique, but the reflexes, the timing, the coordination—but you wouldn’t know it from <I>Whirl</I> (on the Palmetto label), his first album since the return.
<a href="http://blog.stereophile.com/stephenmejias/moving/">The move</a> is going fairly well. I’m almost completely settled in. I didn’t feel like waiting for the movers, so I just moved myself. Because all Source Interlink employees at 261 Madison Avenue will now be on a single floor, some people lost their private offices. While some are now sharing offices, I took a cubicle. So I no longer have a view onto sunny decks, no redbrick walls, no green trees; the only thing I can see from my seat is a gray cloth partition.