LATEST ADDITIONS

<a href="http://www.audyssey.com/">Audyssey</a&gt;, a company specializing in room equalization technologies (ask <a href="http://www.stereophile.com/musicintheround/music_in_the_round_40/index1…;), has launched a sweepstakes for fans of high-quality sound. There are some cool prizes, including a Marantz NR1601 slimline home theater receiver and an 8GB iPod Touch. To participate, become a fan of Audyssey <a href="http://www.facebook.com/Audyssey">on Facebook</a> and fill out a short questionnaire. For complete details, click <a href="http://wildfireapp.com/website/6/contests/52020">here</a&gt;.

Jeff Tweedy, John Stirratt, Pat Sansone at the Solid Sound Festival, North Adams, Mass. August 14th, 2010. Photo in this and the preceding entry by Charles Harris.

It may be time to begin appending the words “The Great,” in front of the name of Wilco. At least that’s my unvarnished reaction to their headlining performance at the inaugural edition of their own Solid Sound Festival, held last weekend in North Adams Massachusetts. Where in the hell is North Adams you may ask, why across the Mohawk Trail is the answer. I once had a friend, upper crust Brahmin Bostonian he was, and his mother used to rhapsodize about “motoring along the Mohawk Trail. She must have been speaking about the end of the trail (otherwise known as Mass Highway 2), nearer to Boston because getting to N. Adams from Interstate 91 is an exercise in going up one side of a mountain (granted in Massachusetts mountains top out at like 900 feet above sea level so we’re not talking friggin’ K2 here), and down the other. It’s not a road for older ladies for whom cucumber sandwiches with the crusts left on is a big step.

As long as you're spinning an LP for your listening pleasure, and if digitizing it at a resolution of 24-bit/192kHz is transparent to the analog source, why not record and store the LP on your computer at that high sampling rate for future convenient playback via iTunes or for iPod use, or for burning to CD-R? And, while you're at it, why not record the LP unequalized and apply the RIAA curve in the digital domain, where you're not dependent on capacitors and resistors that are imprecise to begin with, and can drift over time? With no drift of phase or value, the virtual filter's results should be better than with any analog filter. And in the digital domain, you can program in any curve known, and select it at the click of a mouse. Aside from the sweat equity invested in programming it in the first place, it wouldn't add a penny to the program's cost.

The minuscule electrical output of an analog signal from a moving-coil cartridge needs to be boosted before it can be converted to digital and equalized in the digital domain. Of course, you could use your current phono preamplifier and record an equalized signal to hard disk, but then you wouldn't get to experience <A HREF="http://www.stereophile.com/computeraudio/pure_vinyl_lp_recording_amp_ed… Vinyl</A>'s digital RIAA correction&#151;nor would you be able to avail yourself of all the equalization curves provide by Pure Vinyl, of which there are almost too many to count.

For just a few days now I’ve been receiving mysterious e-mails from “Jazz on the Tube.” At first I wondered if they were spam, and I was afraid to click on the links inside. But they all seemed harmless enough: A few kind and thoughtful words, a passion for jazz, a hand held out in friendship, a smile. So I clicked the link and was taken to a simple page with a narrow, white field against a black border and a YouTube video at the center.

Just like me, Belle and Sebastian write about love. The band’s new album is due out here in the States on October 12. It will be mine. You can listen to a clip on <a href="http://www.matadorrecords.com/matablog/2010/08/16/belle-sebastian-write… Matablog</a>. The song, “I Want the World to Stop,” sounds just as dark and groovy and infectious as you might imagine. I’ve listened to it about 69 times already.