Given that the <A HREF="http://blog.stereophile.com/ces2010/finishing_with_evolution_and_dartze… Acoustics-Playback Designs room</A> at T.H.E. Show 2010 blew both me and John Atkinson away, and earned my "Best of CES 2010," I was extremely eager to take another listen.
Rarely do I have time to visit a room twice, let alone space to post multiple blogs on a single exhibit. But because deHavilland/KE Engineering's Kara Chafee first showing of her KE Engineering/deHavilland Model 222 Magnetic Tape Playback Preamplifier ($1,995) was severely handicapped by the lack of her deHavilland KE 50A monoblock power amplifiers ($9995/pair), which had been <A HREF="http://blog.stereophile.com/cas2010/dehavillandke_small_is_supreme/">de… in shipment</A>, I made sure to return when I learned that the amps had finally arrived.
At the other end of the room from the JBL Everest DD-66000 I <A HREF="http://blog.stereophile.com/cas2010/jbl_at_the_summit/">wrote about on the first day</A>, Design Interaction was switching between the JBL 1400 Array ($11,000/pair) and Revel Ultima2 Salon loudspeakers ($22,000/pair), both speakers very well-reviewed in <I>Stereophile</I>. Heard through a dark-charactered Mark Levinson No.532 amp ($20,000), No.512 SACD player ($15,000), and No.526A preamp ($10,000), hooked up by MIT Oracle cables ($3500, with allocation not specified), the much fêted Revels smoked the less expensive JBLs, I thought.
Judging from the sound, Inex Innovation is onto something really good. Begun in 2004 "by a gang of audio enthusiasts. . . with strong engineering backgrounds in the field of fiber optics and telecommunication," the company specializes in manufacturing cables and equipment that incorporate high-end telecommunication fiber-optic technologies.
Several years ago, under different ownership, the magazine was moved from our 110 Fifth Avenue office in Union Square to our current 261 Madison Avenue location in Murray Hill. They put us on the 9th floor. It was nice. I made some friends. A couple of years later, we were moved from the 9th floor to the 6th floor. And a couple of years after that, we were moved again, from the 6th floor to our current location on the 5th floor.
Love 'em or hate 'em, headphones serve a purpose. My first headphones were Kosses, and they were perfect for use in a college dorm. While I've always owned a pair or more over the years, somehow they never became my primary mode of listening, except in situations where using loudspeakers at satisfying levels risked eviction, bodily harm, or both.
Towering Alan Dwight Hulsebus of Raven Design Studio was proud to show off the unusual skeleton of his Raven Ebb loudspeaker ($12,000/pair). Manufactured and designed in Camarillo, CA, the speaker includes a proprietary Raven ribbon and Focal drivers (including two rear-firing drivers to optimize room interactions), and is wired with Clarity cable. (Exhibitor Orca Design and Manufacturing distributes Focal in the US.) Claiming a frequency response of 40Hz–50kHz ±3dB, with a nominal impedance of 6 ohms and minimal impedance of 5 ohms, the 86dB-sensitive loudspeaker was paired with Superlative Audio's SSA-250 50Wpc amplifiers ($30,000/pair), Oppo BDP-83 SE player ($899), Benchmark DAC1 HDR DAC/preamp ($1799), and a host of Clarity cable.
How can you not love these adorable little components with the lovely little sound? With tube holders that glow in the dark, these cuties are manufactured and designed for Fremont, CA-based Napa Acoustic by Mistral in China.
Bob Walters, coordinator of the Bay Area Audiophile Society, pegged Tonian Acoustics as one of the best-sounding loudspeaker exhibits at the Show. If only I could share his enthusiasm for the Tonian Acoustic Classic 7.1 ($5500/pair), a 16 ohm loudspeaker with 95dB sensitivity is inexplicably absent from the <A HREF="http://www.tonianlabs.com">Tonian Acoustics website</A>.