LATEST ADDITIONS

As Chester Rice, co-inventor of the moving-coil loudspeaker, once ruefully observed: "The ancients have stolen our inventions." So often, what is painted as new and innovative turns out to be something someone thought of long before. We have a habit of forgetting, and that applies not only to inventions, but to knowledge of other kinds as well.

A persistent complaint from some of our readers concerns our seeming preoccupation with exotic components. (Presumably what they mean are scarce, unusual, or hard-to-find components, because "exotic" really means "from a foreign country," and there is sure as hell nothing hard-to-find about a Panasonic receiver.) "Why," you ask, "do you devote so much space to reports on components we can't buy from our local audio discounter? Why can't we have more reports about products from the old, established, reliable companies like KLH, Harman/Kardon, Electro-Voice and Sansui, whose stuff we can listen to at a local dealer before we commit our hard-earned dollars to a purchase?" One subscriber even cancelled his subscription because of this, claiming that the unavailability of the products we review makes our reports "irrelevant." Well, he had a point, but not a very good one.

<B>MEL TORM&#201;/MARTY PAICH DEK-TETTE: <I>In Concert Tokyo</I></B><BR>
Concord Jazz CJ-382 (LP), CCD-4382 (CD). Hatsuro Takanami, eng.; Carl Jefferson, prod. TTs: 44:15 (LP), 47:17 (CD)

A gift from Uncle Art: <a href="http://www.stereophile.com/phonocartridges/1207zu/">Introduced in 1962</a>, the Denon DL-103 moving-coil cartridge ($229)&#151a music-lover’s friend, an audiophile classic, a <i>man’s</i> cartridge.

It could be a second mortgage or going without real food for weeks. What is the most extreme thing you've done in service to your audiophile habit?

<i> Two Wilson Sasha Puppies and two Wilson Sasha WATTs, wrapped up and nestled into a Land Cruiser, ready for the long drive from Art Dudley’s Cherry Valley farm to John Atkinson’s Bay Ridge castle.</i>

Here we are in Art Dudley’s listening room, preparing to load the Wilson Audio Sasha into the back of John Atkinson’s Land Cruiser. After removing the Sasha’s WATT head unit from its large Puppy woofer cabinet, we carefully tipped the Puppy onto its side, removed the spikes from its bottom plate, installed the dedicated casters in place of those spikes, hoisted the Puppy back into an upright position, and dressed it up in protective Saran-Wrap.