I was real excited to hear the advanced prototype of the new the SMC-1, a fully balanced linestage preamp collaboration between Steve McCormack and Gary Koh of Genesis. The preamp will come in two versions, the higher-priced of the two probably coming in around $8000. For the extra money, you get higher quality parts and a different sonic signature, which amounts to quite a lot.
Nothing can beat starting off a morning in a state of grace. That's how it felt when Garth Leerer of Musical Surroundings warmed up the new Clearaudio Concept turntable ($1400) with Borodin's Quartet No.2, appropriately performed by the Borodin Quartet and reproduced on an immaculate Decca pressing. The sound was warm, liquid, and eminently pleasing - everything I would want from good vinyl reproduction.
Directly across the hall from Musical Surroundings, Garth and Jim White, owner and designer of Aesthetix Audio Corporation, played the same French jazz recording I had just heard. This time, the Clearaudio Innovation Wood turntable ($10,000) with TT2 linear tonearm ($9500) and daVinci v2 cartridge ($5500) did the honors. Handling the rest were the Aesthetix Rhea Signature phono stage ($7,000), part of the Saturn series and named after one of the moons of Saturn; and the same Aesthetix Atlas power amp ($8000) as used across the hall. Vandersteen Quatro Wood speakers, HRS equipment stand, Kubala-Sosna cables and Running Springs Audio power products completed the chain.
Irresistible warmth in the midrange. It's not what you usually associate with digital, but it's the only way to describe digital reproduction in the EAR USA room. Auditioned were the EAR Acute CD player ($5495), EAR 509 monoblocks ($14,000), and EAR 912 preamplifier ($11,500), played through the brand-new Marten Getz loudspeakers ($20,000/pair) and connected by Jorma Origo cabling. The new Marten Getz, part of the Marten Heritage series and seen hear in JA's photo with EAR's legendary designer Tim de Paravicini, is a three-way model that combines an active and passive woofer in a single box. The Getz boasts 87dB sensitivity, and a frequency response that extends from 30Hz (–3dB) up to 40kHz.
USB endowed DACs appeared all over CES last week. Do you have need for one?
Designer Peter Madnick, one of the original founders of Audio Alchemy a couple decades back, has returned as part of a new Southern California company called Constellation Audio. In addition to preamp and amplifier offerings, on hand was the $50,000 Sirius DAC and CD player two box system. One box (which they call the "clean box") contains the DAC and audio stuff and then the "dirty box" houses the transport and power supplies (pictured above).
Bel Canto has clearly been busy on the digital front. Three new DACs are on display: the e.One DAC1.5 at $1,395, e.One DAC2.5 at $1,995, and the e.One DAC3.5VB at $3,495. The company explains that the core of all three products is the "jitter-eliminating" Two-Stage Master Reference UltraClock.
Here we see Simaudio's Lionel Goodfield proudly displaying his company's new Moon 300D DAC which retails for $1,600 and is available now. Inputs on the back include USB, SPDIF and Toslink and can accept streams up to 24bit/192kHz.
Olive and Thiel have teamed up with the help of zöet networking technology from a company called Bicom, and have created a complete media server/powered speaker system. Included in the system is a 2TB Olive 4HD music server which has been specially outfitted with an audio networking system using ethernet cables for connecting to the speakers.
One of the great things about coming to CES is getting the opportunity to hear gear that’s rarely near. I was really happy as I strolled down the 35th floor to walk into the Lamm room. I don’t have a Lamm dealer in Minneapolis so I haven’t ever had the chance to hear this lauded and expensive tube gear.