LATEST ADDITIONS

<I>Stereophile</I> should start a "Personals" section in the back of the mag&#151;maybe stick 'em in with the classifieds:

For the last few days, in the midst of shipping the gorgeous September issue, I have been thoroughly enjoying the new release from Secretly Canadian's Bodies of Water, <i>A Certain Feeling</i>.

I believe it was 1958 when I first heard a transistorized audio product. The Fisher TR-1 was a small battery-powered box that provided microphone preamplification and inputs for three magnetic phono sources.

There are some people in the industry who now know my name or at least know of me. Urs Wagner from Ensemble always chats me up. I should give him a ring. Hart Huschens from Audio Advancements is another sweet soul who treats me with respect. And I have spent a good amount of time talking to Creston Funk from Concert Sound.

Alas, there is some humanity behind the Buyer's Guide.

Reader Charlie S. wonders what you use for digital music these days? What is your <I>primary</I> digital front end?

Back in the Spring of 1988, I was sent a pair of diminutive two-way speakers that totally redefined for me what miniature loudspeakers were supposed to be about. That model, <A HREF="http://www.stereophile.com/standloudspeakers/526">Acoustic Energy's AE1</A>, may have offered short measure in the low-bass department, but its apparently effortless dynamics, musically natural balance, and tangible imaging made it a winner. It also broke the mold of modern audiophile speaker design by featuring a 4.5" woofer with a metal cone just 3.5" in diameter. (Various companies have experimented with metal-cone drive-units in the past, only Ohm and pro-sound company Hartke having had any previous commercial success, though Monitor Audio now also offers a range of speakers with metal-cone woofers, their Studio line.) Since that time, Acoustic Energy has tried to produce a full-range speaker that built on the success of the AE1, but with only limited success, in my opinion. While their AE2 added a second identical woofer, and offered useful increases in bass extension and dynamic range, I felt it to be too colored in the midrange to be a real audiophile contender (see Vol.13 No.2, February 1990, p.134.)