Pure Sound Warps Time | Revel Performa4 Bookshelf Loudspeaker
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
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See How the New HumminGuru NOVA RCM Cleans an LP!
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Pure Audio Project at SouthWest Audio Fest 2026
Dreamscapes A/V at SouthWest Audio Fest 2026

LATEST ADDITIONS

Desperation

For some system configurations, hotel rooms present near impossible challenges. Such was the case in one padded cell on the 5th floor of the Marriott Denver Tech Center, where the frustrated purveyors of a modestly priced A/V surround system raided the linen closet in a desperate attempt to tame errant sound. I didn’t have the heart to ask if the reflective surface of the black plastic tape might be making matters worse.

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Order Amidst Chaos

Photographed in a state of mild panic, as your truly was trying to figure out what was wrong with his new Canon digital camera [<I>Answer: nothing but his brain</I>], the dedicated Serinus RMAF work area at the Marriott is pictured in its characteristically unglorious state.

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Green Mountain Ecology

At the suggestion of a fellow BAAS (Bay Area Audiophile Society) member, I abandoned futile attempts to cover every room on a given floor, and instead pinpointed systems that had turned my brothers on. In this case, it was the room shared by Flying Mole Digital and Green Mountain speakers.

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Semper Dowland; Semper Sting

Sting's recording of Dowland lute songs has certainly generated a lot of hooey&mdash;ranging from accusations of Sting making commercial move (yeah, recording a disc of lute songs is <I>sooo</I> calculated to run up the charts) to complaints about Sting's "inauthentic" performance.

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If you had to choose, which do you prefer: delayed Show coverage in the print magazine or live website Show coverage?

Until 2006, <I>Stereophile</I> covered audio Shows in the print magazine, usually between three and five months after the event. In 2006, its Show coverage was published almost entirely on this website, live during the Shows. (See, for example, our <A HREF="http://blog.stereophile.com/rmaf2006/">report from this weekend's Rocky Mountain Audio Fest.</A>) Do you appreciate this change in policy and if you had to choose, which do you prefer: delayed coverage in the print magazine or live website coverage?

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Amplifier Enlightenment

As mentioned in the <A HREF="http://blog.stereophile.com/rmaf2006/102006welcome/">introductory post</A> to this blog, Peter "PJay" Smith (above), Bob Cordell, and Darren Kuzma presented gratis "Amplifier and Loudspeaker Listening and Measurement" clinics throughout the show. One of the clinics, which I was unable to attend, interpreted amplifier measurement data supplied by <I>Stereophile</I>'s John Atkinson.

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