Just because you're paranoid doesn't mean they're not out to get you. This is especially true for music lovers who have begun to fear that record companies <A HREF="http://www.stereophile.com/news/11261/">purposely corrupt</A> the data on audio CDs in an effort to restrict their use as a source for copies or MP3 files.
Should performing arts be limited by health or environmental concerns? The Association of British Orchestras thinks not, according to a recent <A HREF="http://www.bbc.co.uk">BBC News</A> item.
It's a brave group of souls who run today's audiophile music labels. Sane business minds would likely deem it foolhardy to start a new specialty label these days, but sometimes one's passion for music overrides the rational impulse to try something a little bit more secure (like perhaps an Internet company?).
Jonathan Scull tackles the <A HREF="http://www.stereophile.com//digitalsourcereviews/515/">Pioneer DV-AX10 SACD/DVD-A/CD player</A>, revealing the strengths and weaknesses of one of the first "universal" disc machines. Scull carefully compares the DV-AX10 to stand-alone SACD, DVD-A, and CD players to assess whether, in fact, you <I>can</I> have it all in one tidy package.
At the Consumer Electronics Show in January 2001, Pioneer announced the US launch of the DV-AX10, the first of their long-awaited "universal" disc players, previously available only in Japan. Right out of the box, it plays SACD (two-channel only), DVD-Audio, DVD-Video, CD, and CD-R discs. For two-channel operation—which is exclusively how I examined it—and via its easy-to-navigate menus (footnote 1), I set the DV-AX10 to two channels as the default for all modes, including SACD. Except for hybrid discs, which I'll come to presently, the DV-AX10 is, blessedly, a set-it-and-forget-it machine.
<B>SHELBY LYNNE: <I>Love, Shelby</I></B><BR> Island ISLF 15426-2 (CD). 2001. Glen Ballard, prod.; Scott Campbell, eng.; Bob Clearmountain, mix. ADD? TT: 42:19<BR> Performance <B>****?</B><BR> Sonics <B>****</B>
Although audiophiles may muster little enthusiasm for the home-theater-driven audio marketplace of the 21st century, its prerequisites have inspired manufacturers to cram as wide a range of flexible programming features into as highly resolved a set of performance packages as possible. Thus we're now witnessing a new generation of exceptionally musical electronics with high-end performance targeted at two-channel enthusiasts, but all primped and prepped for integration into an expanded audio-video rig.
Several readers have written in wondering how many audiophiles actively seek used equipment and where they look when they want to buy.