Oh, how I love the look of Zesto Audio equipment. Here it found its ideal visual complement in Tidal Piano speakers ($57,000/pair) from Philly-area dealer The Voice That Is and a catchily titled (not) Stillpoints ESS42-26-4 rack with acrylic shelves ($13,788).
Rich Pinto of Treehaus Audiolab, which is based in Southport, Connecticut, has been dedicated to developing SET amplifiers and high-efficiency speakers since 2017. Here at AXPONA, he introduces the A/Machines 300B monoblock amplifiers ($39,000/pair), which showcase his commitment to classic design, in the sound and the aesthetics.
It was a mixed show for Wynn Wong, mastermind of Canadian-based Wynn Audio importers. Soundwise he did very well, with Ayama Witter-Johnson’s take on Hoagy Carmichael / Ned Washington’s “The Nearness of You” so satisfying on every level, from solidity of bass to clarity of voice.
It was hard to tell where distributor / dealer Next Level HiFi ended and Audio Group Denmark began. Or, vice-versa), it was equally hard to tell if more action was taking place in the room during the demo or in the hallway. Suffice to say, there was a lot of energy flowing, and all that talking made listening a challenge.
It was great to hear monoblocks I'd just reviewed—the new, German-made Octave MRE 220 SE mono amplifiers ($28,500/pair) with their Super Black Box PSU upgrade modules ($7000/pair)—in the context of a different system.
TIDAL made a fine showing in the room sponsored by one of its three US dealers, Christopher Thornton’s Artisan Fidelity. Totally drug-free I swear, I melted into the exceptional smoothness and beauty of “The Girl from Ipanema” on vinyl.
Off by itself near Expo Hall, the Journey/Creation rooms sponsored by Scott Walker Audio and Synergistic Research utilized so many Synergistic Research products—eight models of cables, seven for power conditioning (including fuses), six acoustic room treatment thingees, four racks, three grounding devices—that I was tempted to adapt the product list into lyrics for an audiophile Christmas carol.
In Jeff Fox's Notable Audio room, a potential snag turned to genius, when a countertop that wouldn't budge required ditching stuffy seating and letting the equipment sprawl across the counter and floor, transforming the space into an inviting lounge.
Steve Jain’s Fidelity Imports turned heads at AXPONA with a kaleidoscope of digital and analog sound, a few of which were home-theater focused. They filled no fewer than six rooms, each showcasing an array of products, new and less new, from all corners of the world.
Audiophile dream team Mike Pranka (Dynavector, Well Tempered Lab, JM Reynaud) and Charlie Schnyder (Stereo Haven) transformed room 624 into a sonic oasis. This well-tuned system made up of meticulously curated equipment delivered precision and nuance.
For sleeping, past convention nights have sometimes been a nightmare, stuck next to the rooms of exhibitors who think "lights out" means "crank it up to 11!" Neighbor TriangleArt was a exception. They silenced their space by 7 pm, and their music was so good, it literally floated through the walls, beckoning me in.
Colin King and Doug K of Gestalt Audio Design of Nashville, Tennessee, presented one of the more unusual looking rigs at AXPONA, complete with a fantastical copper-colored turntable with a steampunk clamp, a pair of bug-eyed loudspeakers each with a field-coil midrange driver, and a master controller that looked like it had been rescued or stolen from a Russian submarine circa 1957.