Robert Baird

For as long as I live, like it or not, I'll remember 10:28 am 9/11/06 like it was yesterday. I remember the roar and the sight of the giant radio antenna on the last of two towers standing disappearing into the massive clouds of gray smoke. I remember the emergency room personnel at St. Vincent's out in the street waiting for survivors that never came and the clouds of gritty smoke and 8 x 11 sheets of paper blowing up the streets of Brooklyn. And then I remember the jumpers, those who'd rather jump than burn.

As we all know, the focus of Stereophile's music section, and rightly so, is recorded music. But in my unsubtle opinion, music writers or just music fans who only listen to recorded music and never see anything performed live, are missing half the ballgame. If the only way you know a certain artist is through their records, then sorry to say, and yes, I know that not everyone lives in a city where they can see live music, you’re only getting half the story. I know critics who've been let go because they basically refused to go out to see live music. They were happy to stay home—hey, no traffic, no lines, no fighting the elements, sounds good to me—and listen to CDs or LPs. Unfortunately though, while they may have stayed comfy cozy at home, their opinions on music ended up having only a certain amount of value. The X factor about seeing music live versus hearing it on record is that often you have to see the music performed live to make any sense of the record. Though rare, it can also work in reverse as well: you have to listen to the record to make sense of a live show.

I've always been a huge Pixies fan. I was so excited at 2004's reunited tour that I practically needed a minder to get me to the gig. But Frank Black solo, now there's a whole other experience.

Possible photo captions:

Just prior to the morning hour at which most liquor stores open, Don Byron and I are sitting outdoors at a sidewalk cafe on a steamy Park Avenue South (Technology Gulch)when a scene breaks out on the sidewalk. Byron (head turns and he murmurs): "Oh my god." A stringy–haired, smelly, obviously intoxicated woman staggers after a younger, taller man who's also worse for wear, and hollers in a drunken growl: "I got my own phone now. Yes it is. It works you used it." Byron (laughing): "It's the metropolitan wino scene. You know what I mean? You know the scene in Firenze, now here it is in New York. It has all the elements: the dirty clothes, the ruddy skin, the formaldehyde lips."

Rumor is that the suits at MTV are beginning to kvetch about the expense of having bottled water delivered to the NYC offices of the network. Man, when the bottled water bill gets up on the bean counter radar nothing good can come of it.

From Stereophile writer Fred Mills: Tom Waits tickets for the August 2nd show at the Thomas Wolfe Auditorium in Asheville, NC sold out in 15 minutes. Waits publicist Tresa Redburn tells me the Atlanta date sold out in less than half hour. "Yours truly was on-line hacking away at the Ticketmaster site," Mills said today, taking a break from pressure washing moss from the roof of his home in Asheville. He also mentioned that a pair of tickets for the Chicago show went on eBay and someone who couldn’t wait for the auction, used the "Buy Now" function and bought them for $1500.00. I scanned eBay and found a pair of 4th row seats for the Asheville gig going for $549.00. A pair for the last date, in Akron, Ohio, are being offered for $450.00. In Akron, Ohio!!! This despite measures to limit scalping and reselling. And the fact that he rarely if ever these days dips back into the Asylum–era material that everyone loves. The best part about this eight date mini-tour of the South and Midwest is that he’s playing great old theatres, most of which have great acoustics. Here's the list: read it and weep, `cause these tickets be long gone. Or silly expensive. Tues, Aug 1 Atlanta, GA Tabernacle Wed, Aug 2 Asheville, NC Thomas Wolfe Auditorium Fri, Aug 4 Memphis, TN Orpheum Theatre Sat, Aug 5 Nashville, TN Ryman Auditorium Mon, Aug 7 Louisville, KY Palace Theatre Wed, Aug 9 Chicago, IL Auditorium Theatre Fri, Aug 11 Detroit, MI Opera House Sun, Aug 13 Akron, OH Akron Civic To those who don't get the whole Waits cult, all I have to say is, something's happening somewhere with this guy. Few artists, in any genre, at any time, are able to sell out tickets, quite this fast.