|
Recent Additions
Budget Components Audacious Audio
Loudspeakers
Amplification
Digital Sources
Analog Sources
Accessories Listening / Art Dudley The Fifth Element / John Marks Music in the Round / Kal Rubinson Fine Tunes / Jonathan Scull Special Features Reference Interviews Think Pieces Historical Recording of the Month Records 2 Die 4 Music/Recordings Stephen Mejias Robert Baird Fred Kaplan Wes Phillips Audio News Past eNewsletters RMAF 2008 FSI 2008 CES 2008 RMAF 2007 CEDIA 2007 HE 2007 FSI 2007 CES 2007 China 2006 RMAF 2006 HFN 2006 CEDIA 2006 HE 2006 FSI 2006 CES 2006 Forums Galleries Vote Previous Votes Dealer Locator AV Links Audiophile Societies Contact Us Customer Service New Subscription Digital Subscription Renew Give a Gift Sub Services Recordings Backissues More . . . Phono Preamp Hi-Fi Phono Cartridge Amplifiers Stereo Speakers |
Music for a Glass Bead Game
ARTURO DELMONI & NATHANIEL ROSEN: Music for a Glass Bead Game J.S. Bach: Two-Part Inventions 1, 3, 6, 7, 9, 10, 13. Kodály: Duo for Violin & Cello. Giordani: Duetto II. Martinu: Duo for Violin & Cello. Handel: Passacaglia Arturo Delmoni, violin; Nathaniel Rosen, cello John Marks Records JMR 15 (CD). John Marks, prod.; Jerry Bruck, eng. DDD. TT: 62:34 The disc's title refers to Herman Hesse's last novel; the glass bead game represents a fusion of the arts as represented by music, and sciences as personified by mathematics. All the works on this disc present a form of game as well—the give and take of chamber music for two, the passing back and forth of theme and variation. Rosen and Delmoni perform brilliantly. Their mastery over their instruments is never in doubt, but what is most impressive is the passion they bring to these works. There is not a single unfelt note on the disc. The sound is beautifully clear. Engineer Jerry Bruck has concentrated on the direct sound of the instruments, but has not neglected the ways in which the hall supports their tones. In this program material, with these players, it is a strategy that has paid off in spades. Delmoni's playing is full of body, with a silvery gleam that offers a perfect contrast to Rosen's warm, golden burble. The third movement of the Kodály Duo provides some heart-stoppingly beautiful moments, first in a pizzicato passage that places both players palpably within Purchase College's Recital Hall, then in the impassioned finale, where both men pull out all the stops (ahem) to romp joyously to the close. I could go on—Music for a Glass Bead Game is filled with delightful music-making—but I'm not sure I'd get any closer to what makes this one so special. If you care about music and want to hear how well science can serve art, you need to listen to this 'un.—Wes Phillips This disc can now be purchased directly from the Stereophile Recordings page.
|
|
||||||||||||||||||||


This is a stupendous recording of violin and cello in a good-sized hall—possibly the most luscious recording of acoustic music I've heard in several years.