Technics was showing some delightfully high-end stuff. The turntables were more alike sonically than different, revealing a house sound marked by clarity, explicitness, transient speed, ambient cues, and vivid pictures.
You want chunky sounds, vivid tone, socking bass, and a globe-like soundstage with notes that appear so solid and dimensional you might be tempted to try to pick them like an apple from an apple tree? If so, then step right up into the Altitudo room, which may look a little small for the amount of gear present and the size of the speakers I listened to, but make no mistake, the sound I heard from FLAC files streamed from a hard drive was clean, muscular, and colorfully diverse.
ArtistCloner is one of those audio manufacturers, like Audio Note, making complete systems from cabling to speakers to power conditioners. Its designs stem from one person's singular vision.
Atelier Audio's room was buzzing the couple of times I'd passed by to peer inside, and I don't mean some sort of transformer noise. I mean with people. It was consistently abuzz with visitors. Luckily, I was eventually able to snatch a seat during an Atelier Audio demo; then I understood why this room was so popular.
Saying Audio Group Denmark/Wynn Audio impressed at this year's Montreal Audiofest is an understatement. They brought the goods and then some. That "some" is what I perceived as the quality of the merchandise and its performance in relation to its price.
Audio Note exhibiting at the Montreal audio show? Nothing new. Audio Note exhibiting an all-Audio Note system? Again, nothing new. Audio Note speakers that are not placed in the corners and are on tall stands? That's out of the ordinary.
It's always a pleasure to visit an exhibit room put together by Audiophile Experts because the retailer's setups and recordings tend to sound top notch, and you won’t hear these recordings elsewhere at a show.
If the AudioNec Evo 3 speakers ($125,000/pair) in the top photo look familiar, it's no accident. They're from the same company that made the Evo 1 speakers in my last Luna Cables / Thöress report. But this time, they have three more modules, so the Evo 3 is much taller than the Evo 1.
Soltanus Acoustics from Hungary and Brooklyn Audio from Nova Scotia [corrected] served up a seductive system consisting of a pair of electrostatic Soltanus Acoustics ESL Virtuoso Mkll speakers ($24,999/pair), an Auralic Aries G2.2 streamer ($8199), an Auralic Vega G2.2 DAC ($10,699), a Zesto Audio Leto Ultra Mkll preamplifier ($15,580), a mono/stereo Hegel H30A amplifier ($23,995), and a Synergistic Research router ($3000). Filling out the system were a variety of AudioQuest cables (various prices), an AudioQuest Niagara 5000 power conditioner ($7500), and a Quadraspire SVT audio rack ($3000).
For a couple of years now at the Montreal Audiofest, Classé Audio and Bowers & Wilkins have been exhibiting together. That’s no surprise considering that both brands are owned (for the moment at least) by the same company, Masimo. (Medical-device manufacturer Masimo may soon be spinning off the former Sound United home–hi-fi brands.)
By noon Friday, the 2024 35th edition of the Montreal Audiofest had sold more admission tickets than it had the entire weekend last year, which is great news for the organizers and industry. For the audio reporter seeking a listening seat, never mind in the sweet spot or a good angle to take a photo, it required I do more strategizing than usual, including negotiating several out-of-show-hour visits with exhibitors.
After I witnessed the ribbon cutting-ceremony performed by 20 industry under-40-somethings on Friday morning—a symbolic event meant to jointly celebrate the Montreal Audiofest’s 35th edition and the new generation of audio-industry flamekeepers—I hit the rooms closest to my own room, starting with Corby’s Audio. This Toronto-area retailer was showing a spread of audio gear that offered a visually appetizing mix of rich wood tones and sleek metal surfaces.