 | How Hi-Fi are Stereo Discs?
J. Gordon Holt, Vol.1No.8, August, 1978 |
| The Swift Boating of Audiophiles
Michael Fremer, Vol.31No.2, February, 2008 |
| Sonic Qualia & "Scientific" Testing
George Reisch, Vol.22No.11, November, 1999 |
| The Greatest Pop Album? The Flaming Lips: The Soft Bulletin
George Reisch, Vol.23No.1, January, 2000 |
| Audiophilia Nervosa
George Reisch, Vol.23No.3, March, 2000 |
| Digital Idealism vs Analog Realism
George Reisch, Vol.22No.5, May, 1999 |
| Home Theater vs Two-Channel Purism
George Reisch, Vol.21No.11, November, 1998 |
| The Public Wants What the Public Gets
George Reisch, Vol.21No.5, May, 1998 |
| Turntables Wanted
George Reisch, Vol.21No.9, September, 1998 |
| The Darwinian Audiophile
George Reisch, Vol.21No.3, March, 1998 |
| Audio Legends
George Reisch, Vol.20No.11, November, 1997 |
| Vinyl & the Endless Ping-pong Match
George Reisch, Vol.20No.9, September, 1997 |
| Listening Sessions and Hyperlinks
George Reisch, Vol.20No.5, May, 1997 |
| Auditions, the Audio Press, & Neo-fatalism
George Reisch, Vol.20No.3, March, 1997 |
| Art, Music, Kennedy & Commerce
George Reisch, Vol.23No.7, July, 2000 |
| Surrounded in Manhattan
Sam Tellig, Vol.24No.8, August, 2001 |
| Of Digital Audio and Lettuce Leaves
Sam Tellig, Vol.24No.2, February, 2001 |
| Painting Or Photography?
George Reisch, Vol.24No.1, January, 2001 |
| Bits vs Atoms
George Reisch, Vol.23No.11, November, 2000 |
| What's Going On Up There?
John Atkinson, Vol.23No.10, October, 2000 |
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