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Listening #83
Art Dudley, Vol.32No.11, November, 2009
Do Musicophiles Enjoy Audio?
Denis Stevens, Vol.13No.4, April, 1990
How Hi-Fi are Stereo Discs?
J. Gordon Holt, Vol.1No.8, August, 1979
The Swift Boating of Audiophiles
Michael Fremer, Vol.31No.2, February, 2008
Sonic Qualia & "Scientific" Testing
George Reisch, Vol.22No.11, November, 1999
The Greatest Pop Album? The Flaming Lips: The Soft Bulletin
George Reisch, Vol.23No.1, January, 2000
Audiophilia Nervosa
George Reisch, Vol.23No.3, March, 2000
Digital Idealism vs Analog Realism
George Reisch, Vol.22No.5, May, 1999
Home Theater vs Two-Channel Purism
George Reisch, Vol.21No.11, November, 1998
The Public Wants What the Public Gets
George Reisch, Vol.21No.5, May, 1998
Turntables Wanted
George Reisch, Vol.21No.9, September, 1998
The Darwinian Audiophile
George Reisch, Vol.21No.3, March, 1998
Audio Legends
George Reisch, Vol.20No.11, November, 1997
Vinyl & the Endless Ping-pong Match
George Reisch, Vol.20No.9, September, 1997
Listening Sessions and Hyperlinks
George Reisch, Vol.20No.5, May, 1997
Auditions, the Audio Press, & Neo-fatalism
George Reisch, Vol.20No.3, March, 1997
Art, Music, Kennedy & Commerce
George Reisch, Vol.23No.7, July, 2000
Surrounded in Manhattan
Sam Tellig, Vol.24No.8, August, 2001
Of Digital Audio and Lettuce Leaves
Sam Tellig, Vol.24No.2, February, 2001
Painting Or Photography?
George Reisch, Vol.24No.1, January, 2001

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