Bob Katz

Bob Katz  |  Feb 20, 2017  |  0 comments
This story originally appeared at InnerFidelity.com

In my previous episode, I threw down the gauntlet: Can the world’s best headphones hold up to the world’s best loudspeakers in a perfectly-treated room? Of course we know that headphones image completely differently from loudspeakers. The transient impact of transducers lodged on your ears is distinctly different from loudspeakers at 9 foot distance. The loudness ratios of forward and distant elements, direct and reverberant sound are also different between phones and speakers. But we certainly can compare the tonal accuracy of the two presentations.

Bob Katz  |  Dec 07, 2016  |  0 comments
This story originally appeared at InnerFidelity.com

This kind of performance leads us to this question: Can a pair of state-of-the-art loudspeakers placed in the far field of a room sound as transparent, defined, impacting and pure as the world’s best headphones? These Dyns give my Stax 007 MkII headphones a good run for their money. The Stax are driven by a KGSS amplifier. And what about dynamic headphones? I upped my game here, selling my Audeze LCD-X to invest in a pair of LCD4’s. And I borrowed a Deckard headphone amp on reviewer’s loan. No slouches here!

Bob Katz  |  Jun 01, 2016  |  5 comments
"Bass—the final frontier," declared Captain James T. Kirk. I have no doubt: The biggest problem in nearly every listening room is getting the bass to sound right. Today, we voyage to the frontier of bass response.

A Brief History of Time
Because my listening room is also a mastering room, it has to be as accurate as possible (see photo 1). The floor is a concrete slab, with solid-block wall construction and a cathedral ceiling 23' high at the rear—there are no floor-to-ceiling resonances. A bay window hidden behind the curtains disperses the lengthwise room mode by varying it between 18' and 20.6'. The curtains tighten the stereo image and damp the subtle resonant chamber that would otherwise color the sound.

Bob Katz  |  Mar 08, 2016  |  0 comments
This story originally appeared at InnerFidelity.com

Bob Katz has fallen in love with the Oppo PM-3 and HA-2. A rather long review, but hey, he's in love. Waxing prosaic is part of the deal.

Bob Katz  |  Feb 16, 2016  |  0 comments
This story originally appeared at InnerFidelity.com

Hooo boy! Bob pulls out all the stops in his latest episode.

This is a little treasure trove of incisive opinion on a bunch of pretty darn good $150-$500 full-size sealed headphones.

Bob Katz  |  Feb 02, 2016  |  0 comments
This story originally appeared at InnerFidelity.com

I'm not a shy guy. If I don't like a headphone, I'll pull it off my ears within five minutes! So far, I've had the Astell & Kearn AK T1p on for over 40 minutes and I keep wanting to check them out—so there must be something about them that's keeping me listening.

Bob Katz  |  Nov 10, 2015  |  0 comments
This story originally appeared at InnerFidelity.com

This episode is full of ideas on what makes audio sound better (or worse). If you're like me, constantly searching for scientific reasons, you'll enjoy this episode. Join me in trying to make audible sense of it all.

Bob Katz  |  Aug 25, 2015  |  0 comments
This story originally appeared at InnerFidelity.com

Something had to give: Tyll has given me the assignment of evaluating a bunch of midprice phones. But I feel that the amps I have to drive them are not completely up to the task. The Burson Soloist is fun, punchy and “tubey”. The O2 sounds comparatively transparent and is a great bargain, but how would it compare to the big guys? So I knew I needed to include a transparent high class amp to drive and test these phones. But Mary would divorce me if I proposed buying yet another expensive headphone amp. Instead I found a solution: Build one instead. The process has proved to be very rewarding in all respects. Let me tell you about it here.

Bob Katz  |  Jul 31, 2015  |  0 comments
This story originally appeared at InnerFidelity.com

I am certain that sound quality improves when we sample at higher rates.

Bob Katz  |  May 13, 2015  |  0 comments
This story originally appeared at InnerFidelity.com

On Monday it was raining lions and tigers all day, but four of the faithful eventually arrived, between an hour and two late. Except Mitch Corbin, musician (Suzy Bogguss, David Bromberg, Byron Berline, David Grisman) and project studio owner, arrived early. That was a good thing, because I gave him a solo audition. When the four others arrived, they each had a headphone to check out and shuffle around. Mitch stuck around to learn everyone's reactions and schmooze for the evening, and a wonderful time was had by all.

Pages

X