Last week, I experienced what may have been the greatest day of my life so far: the day I got to see Sir Elton John live in concert for the first time. This happened on September 27, 2016, in Allentown, PA.
It can be a spontaneous, self-generated hybrid of black shapes, brushed metals, and varying wooden finishes. You need not limit yourself to a single component or a single manufacturer. Whatever comes to mind first, really.
Last week, John Atkinson and I attended "The Audeze Sensory Experience," Audeze's official launch party for the iSine10 ($399) and iSine20the world's first in-ear planar magnetic headphones, which will be available in November.
The graphic above was created with data provided to me by the CTA (Consumer Technology Association). I understand that this data cannot possibly account for every single pair of Bluetooth-enabled speakers sold in any given year, but I believe that this is the most accurate account of data currently available to us.
Experience 1
On August 25, 2016, John Atkinson, Michael Lavorgna, and I attended an event at Battery Studios, Sony's Manhattan-based music production facility.
The event itself was very personal, as we three were the only non-Sony people present at this particular session. (There were multiple sessions held that day.) We were introduced to Sony's latest hi-res personal audio productsthe "Signature Series," which consists of the MDR-Z1R headphones $2199.99), NW-WM1Z ($3199.99) and NW-WM1A Walkman players, and the TA-ZH1ES headphone amplifier ($2199.99).
The graphic above was created with data provided to me by the CTA (Consumer Technology Association). I understand that this data cannot possibly account for every single pair of headphones sold in any given year, but I believe that this is the most accurate account of data currently available to us.
The graphic above was created with data provided to me by the CTA (Consumer Technology Association). I understand that this data cannot possibly account for every single turntable sold in any given year, but I believe that this is the most accurate account of data currently available to us.
It's a Sunday in suburbia. Sunny, 95°"sweltering," some would say. The kind of heat where, you grab that cold can of Guinness, and the moment it leaves the cold comforts of the fridge, it's dead on impact.
You invite your good ole non-audiophile pal Stan over. You use a ruse you know Stan will fall for, like "Let's flip some burgers and listen to the cool commercials on Spotify's free tier," or "I just mastered the piña colada and torrented David Bowie's entire discography" (as if the piña colada alone wouldn't be enough to lure that sucker Stan), or "You left your phone at my place, want to come pick it up?" (In this last scenario, you would have to steal his phone first.)
The year was 2116, and the Earth was finally great again.
War, poverty, global warming, starvation, racial inequalitythese, among many others, were all trivial, long overcome matters of the past.
Generation ZZZZers glided around in auto-piloted, eco-friendly, space/time ships. They communicated with each other via holographic telekinetic mind messages. (Though there was always the occasional hippie, of course, who'd pull out a vintage, non-functioning wePhone 2000 or whatever technological dinosaur was making a comeback these days. Lame, if you ask me.)
Guitarist Nels Cline will make his Blue Note debut on August 5this coming Friday as a download, with CD following on August 19 and LP on September 2with his album Lovers. It's a beautiful, wide-ranging, 18-track, 23-person-ensemble look inside Nels's soul, and a project that's been in the making for 25 years. It contains a mix of Cline's originals as well as songs by Sonic Youth, Arto Lindsay, Jimmy Giuffre, and Great American Songbook Standards.