Ariel Bitran

It has been a strange winter. Now approaching what is formally known as spring, I’m not sure if we ever even made it out of autumn! Forty-five degrees Fahrenheit in the middle of February in New York City? What in the hell is going on?

Similar to how the seasons from 2011 to 2012 have melded together into the longest autumn, the shipping out of each issue of Stereophile becomes a blur as well. As I discussed in my last on newsstands March article, we are never really sure what month we are living in here at the Stereophile office, much less the month of the issue we are working on, except for when we are compiling April Issue. We always know when we’re working on the April.

Why’s that?

Henry Gessau. Henry Gessau! Who is this mysterious chap? He must be some time-travelling, sound-saving avenger! Color photography was not widely available until the 1950s, so based on his profile picture, Henry must have lived sometime between the years 1850 and 1950 and then tweeted into the future! But forget the man. What about his message?

From February 28 until March 04, 2012, the Kurt Rosenwinkel Quartet got cozy in the dark and welcoming Village Vanguard for six evenings and 12 evocative sets of guitar-work and authoritative musicianship. Rosenwinkel partnered with friends Eric Revis (bass), Aaron Parks (piano), and the band young’n Justin Faulkner (drums).