One of my favorite moments of SSI 2010 came during Saturday afternoon's outstanding "
Ask the Editors" session, when a member of the audience asked the panel about
audio nirvana. What components or systems, if any, had helped us achieve that elusive, mythical state when everything is perfect and right? I sat up straight in my seat and buried my fingernails into the palms of my hands, anxious to offer a response. When my turn to answer came, I stuttered, overwhelmed by the moment, but I think I said enough to communicate the idea that audio nirvana is a fleeting target, one that depends more on the listener's mood and ability to be
moved and less on the system or individual components within any particular system.
Hi-fi, as much as it's about Ohm's Law and as much as it's about system synergy and as much as it's about room dimensions and format wars and everything else, is about people; hi-fi is about
us. We build systems that we love, to play back the music that we love. And when we know what we love, we are all right.
As a member of the press attending a hi-fi show, it is all too easy to fall into a pattern where we are simply going through the motions, nodding our heads and asking: "What's new here? And when will it be available? And what type of drivers does it use? And how much does it cost?" These questions are necessary, but if the point is to better understand a manufacturer's goal and, therefore, to understand his or her idea of
why music matters and
what makes music beautiful, then these questions are simply not enough. We have to go deeper. We have to travel over language barriers and insecurities and emotional walls, in order to find common ground. And, at the same time, we have to open ourselves to that other person. This is music we're talking about, after all, and music is an emotional,
personal thing.
There were many fine systems on display at SSI 2010, and every one of those systems was put together by one or more
people working together for a common goal. On Saturday afternoon, during that outstanding "Ask the Editors" session, in response to a question about
audio nirvana, I talked about my experience in the
Hathor Acoustik room. I had never heard of Hathor Acoustik; never even heard of the design partners, Luc Allair and Pierre Murray. Allair's speakers looked ordinary, his product literature was all in French, his accent was heavy. But nothing could obscure Allair's love for music, nothing could conceal his
respect for music. In stops and starts, we talked about driver materials and cabinet resonances and music. And when I sat down to listen to Beck's beautiful "It's All In Your Mind," played back through Allair's speakers, sourced from Naim electronics, I was ready to be moved by the song.
Now, everything Allair had talked about made perfect sense; I understood where he was coming from. Through song, I explained to the "Ask the Editors" audience, Hathor Acoustik and I had found some common ground, and in doing so, I had achieved just one moment of audio nirvana among many at SSI 2010, the most enjoyable hi-fi show I've ever attended.
