The first model in Thinksound's Monitor Series: the ms01, shown here in Chocolate Gunmetal finish.
I’ve become familiar with all the fashionable brands just by taking notice during my daily commute to and from work: Incase, Eskuche, Urbanista, WeSC…. I want to love headphones like Tyll Hertsens loves headphones. (V-Moda, VSonic, J-Phonic….) Almost everyone wears them, and they’re often extremely cool looking. (AKG, Sennheiser, Sony, Shure….) I can’t help but admire the man or woman I see on the street, in the train, at the café or the bar, wearing the shiny Scullcandies or the colorful UrbanEars or the custom-designed Beats. (Pioneer, Panasonic, Phiaton, Philips…) The moment I put them on, however, I want them off. I can’t get used to their weight on my head, or the way their cables pull at my ears or get stuck on my jacket. In-ear monitors are slightly less problematic—at least they’re small—but I can only stand having them in my ears for so long before I want them, too, out.
Besides, music is everywhere, and I enjoy hearing the sounds around me.
The only time I truly find headphones useful is when I’m aboard an airplane, on my way, usually, to a hi-fi show or similar event—I hate flying more than I hate headphones. While flying, I listen to music to pass the time. Wherever I go, my little blue iPod allows me to carry along a small bit of home. And the only in-ear headphone I’ve really ever enjoyed is Thinksound’s ts02. Compared to others at or around the same price, the ts02 offers a warm, well-balanced, full-bodied sound that allows me to listen for long stretches without becoming annoyed or fatigued by unrealistically sharp, bright highs.
During my recent trip to Seattle for Definitive Audio’s Music Matters 7 event, I decided to compare Thinksound’s ts02 ($79.99) to their ms01 ($99.99), the first model in the company’s new Monitor Series.

Shabazz Palaces: Black Up
Since I was on my way to Seattle, I thought I should get into the mood by listening to one of the city’s coolest acts: Shabazz Palaces. Listening to “Youlogy” from the hip-hop duo’s Black Up, I felt that the ms01 was better than the ts02 at making sense of the dense, foggy mix. It was easy to trace vocalist Ishmael Butler back to the jazz roots of Digable Planets. With shades of Greg Smith's awesome Op-Ed piece in the New York Times, in which he explains why he resigned from Goldman Sachs, Butler rhymes:
The nights are getting stronger and the days are getting longerThe buildings getting bigger, outside is getting smaller
The lies are getting truer and the truth is getting bright
Things are looking blacker, but black is looking white
The price is getting higher and the buyers is the flyest
The stars are never bright, the good are getting tired
Yesterday you threw it cuz you gots to have the new shit
The money always fools you, so corny’s getting cooler
Nothing’s gonna stop it if it’s bound to turn a profit
For this amount, I’ll do it; for this, I’ll let you watch it… I wondered, though, if the ms01’s enhanced transient speed and midrange clarity came at the cost of the ts02’s lovely low-end warmth and impact. To examine this (and also in an unsuccessful attempt to impress the pretty girl sitting to my right), I turned to “Things Fall Apart” from Zomby’s Dedication, which matches fast-paced percussive elements—gunshots, hi-hats, fingersnaps, and snare hits—with plenty of deep drum beats to keep your head bobbing. The gunshot that opens the song had startling force—I almost ducked. In fact, all of the high-frequency stuff was there, but only faster, tighter, more present and extended. However, while the bass kicks sounded tighter and more muscular through the ms01, they didn’t lack the ts02’s impact and fine sense of timing.































