Possibly my favorite classical recording engineer, the man talks about his "stuff" here:
http://www.recordproduction.com/tony-faulkner.htm
When did he begin using higher-than-Red-Book standards (i.e., 16-bit/44.1 khz)? I have a Naxos title (Samuel Barber: Sym 1 & 2, recorded late 1998) that notes "Recorded and edited at 20-bit..." and later Naxos/Faulkner pairings are 24-bit. Given their native rez, I wish Naxos would release high-rez FLACs.
Possibly my favorite classical recording engineer, the man talks about his "stuff" here:
http://www.recordproduction.com/tony-faulkner.htm
When did he begin using higher-than-Red-Book standards (i.e., 16-bit/44.1 khz)? I have a Naxos title (Samuel Barber: Sym 1 & 2, recorded late 1998) that notes "Recorded and edited at 20-bit..." and later Naxos/Faulkner pairings are 24-bit. Given their native rez, I wish Naxos would release high-rez FLACs.