Montreal Audio Fest 2019

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Art's Montreal Wrap: How the Ouest Was Won

At the Montreal Audio Fest, Graham Audio's North American distributor, On A Higher Note, brought along the British speaker manufacturer's latest variation on the BBC-monitor theme: the LS5/9f ($US7995/pair in oak, as shown), described as a floorstanding version of the BBC-designed LS5/9 stand-mounter. According to On A Higher Note's Philip O'Hanlon, seen above, the LS5/9f was created by Derek Hughes, the son of the founders of Spendor (themselves once a BBC licensee—this is slightly complicated). Hughes reportedly intended the extra cabinetry to support the speaker without adding to its internal volume or otherwise altering the essential LS5/9 sound.

Art's Sonic Saturday in Montreal

A few years ago, the Hotel Bonaventure (formerly the Hilton Bonaventure), long the site of the Montreal Audio Fest (formerly Salon Son et Image), turned its sprawling restaurant into a sprawling ballroom called the Ville-Marie salon. For the 2019 Montreal Audio Fest, that room was home to Focal Naim Canada (formerly the distributor known in Canada as Plurison, and in the US as Audio Plus Services.) Daniel Jacques (on the left, with me, in the photo above), who founded Plurison/Audio Plus in 1983, has now sold that company to Vervent Audio Group, which owns Focal and Naim; those brands, including a few others—namely IsoAcoustics, Cambridge Audio, Musical Fidelity, Siltech, Vicoustic, and Solid Tech—will now be handled in Canada by Focal Naim Canada, and, with the exception of Cambridge, in the US by Focal Naim America, also a Vervent subsidiary.

JA's First Day at the Montreal Show

I thought I would start my day by exploring the Hotel Bonaventure's ballroom exhibits, and on my way to the Westmont 2 room, where British company PMC was presenting the North American debut of their flagship Fenestria loudspeaker, I heard some unambiguously live harp music, played by the young lady in the photo, Isabeau Corriveau. A great way to start the day and one that emphasized the show's focus on music of every kind.

JA's Saturday Morning in Montreal

What would a Montreal show be without snow? The first day of the Montreal Audio Fest was bright and sunny, but as walked from my sleeping room to the ballroom to continue my reporting on Saturday morning, this is the sight that greeted me. "That's nothing," snorted native Quebeçois! (And I still find it weird to see trees growing on the top of a tower block—show venue the Hotel Bonaventure is 12 floors off the ground.)

Montreal Audio Fest 2019 Hits the Ground Running

At 1:00 on Friday I spoke with Sarah Tremblay (above), co-organizer (with Michel Plante) of the Montreal Audio Fest. The 2019 show had opened only two hours before we ran into one another, and already over 4600 attendees had pre-registered and 1400 of them had arrived on-site. (Admission is free, but the organizers ask of each attendee their name and gender, and whether they'd attended previous Montreal shows.) Tremblay told me that approximately 50% of registrants so far were first-timers: an excellent sign.

More from Art's Day One at the Montreal Audio Fest

I suppose I'm odd man out for not liking Pink Floyd's The Dark Side of the Moon, which has sold over 45 million copies since its release in 1973 yet for me remains a monument only to the hazards of excessive marijuana consumption. Too bad for me: On Friday, the sounds of that album blasted from what seemed every third demonstration, and by the time I approached the door of the room sponsored by Montreal retailer Son Ideal, I was hearing DSOTM for literally the fourth time since the show opened. Quiet desperation, indeed.

Robert's Final Report from the 2019 Montreal Audio Fest

Magico's three-way A3 speakers ($CD13,000) were the first things I spotted when I entered Sonor-Filtronique's third room. I fondly remembered them from last year—in my 2018 report, I gushed over the sound of the A3s, then driven by Ayre electronics. Magico's most affordable model, the A3 has an enclosure made of 6061 T6 aircraft-grade aluminum, while their drivers boast diaphragms made of beryllium and graphene.
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