T.H.E. Show 2021

I love when industry veterans get excited by new discoveries. Thus, when David Solomon of Qobuz began one of our interactions with, "Have you been to the room that's premiering the GaN (gallium nitride) tubed components?" I asked him to tell me more. David followed with something like, "I couldn't figure out how anyone could have possibly incorporated GaN class-D power technology into KT150, K88, and K120 GaNTubes™ until the guy showed the 'tubes' to me." That's when I knew I had to visit.

Two rooms, side-by-side at T.H.E. Show 2021, with two entirely different but equally valid windows on sound. To the left—we are not talking politics here—the UK's ATC loudspeaker company, manufacturer of time-honored active and passive loudspeakers. Courtesy of their reps, Las Vegas-based Lone Mountain Audio, we are hearing the US show debut of SCM100ASLT Active Driver Tower loudspeaker ($41,999/pair, or $50,999/pair in this particular glossy finish). This is a bigger speaker than the two other speakers that the company usually shows, and the music played via file, wireless Tidal streaming, and LP included an international line-up of Mark Knopfler, Bob Marley, and Charles Mingus.

I mentioned this room in the opening blog from T.H.E. Show 2021, but only to point out the unusual nature of its PowerSlave Marble Mk.II power distributor ($18,500), the Stacore Roller Anti-Vibration Platform with cryo-max mass loading+bearing isolation ($4180), and the huge Stage III Poseidon AC power ($22,000) and Cerberus speaker cables ($36,200/pair). While they weren't the most expensive components in the room, their prices certainly topped that of the flagship Aurender W20SE music server/streamer ($22,000).

When Wayne Carter told me that his company, San Diego-based Wayne Carter Audio, designed audio systems for rock stars and also distributed Margules Audio tube products, I knew I had to pair one room with the other. The potential contrast between Carter's "vintage mastering system from 30 years ago"—assembled partly for fun and partly as a tool to help customers understand what was and is possible—and Margules's diminutive gear was too delicious to resist.

Lest you think I've left something out of this headline, I haven't. The 24lb Heavenly Soundworks active FIVE17 loudspeaker ($10,000/pair), shown at T.H.E. Show with matching stands ($1000/pair), needs only a computer or other streaming/choice and some cabling to do its thing.

This report could also be titled "My Visit with Cable Support Plate and A/V Room Service," but that's hardly as eye-catching. And catching your eye is my goal, because there was a lot of import at these two booths.

It's been a few shows since I've encountered one of Jeff Candy's granite Pietra loudspeakers, whose distribution is mostly confined to Southern California due to the high cost of shipping a speaker that weighs in excess of 350lb. Which doesn't mean that you can't get one shipped to upstate New York if that's where you live.