T.H.E. Show 2022

Sort By: Post DateTitle Publish Date
Jason Victor Serinus  |  Jun 16, 2022  |  0 comments
Once the volume was turned up, the fourth movement of Rimsky-Korsakov's Scheherazade filled Aaudio Imports' large space with exciting sound. Distinguished by appropriate bite and a solid midrange, the system also excelled on Ray Charles and Norah Jones' "Here We Go Again."
Jason Victor Serinus  |  Jun 16, 2022  |  0 comments
In a large, exceedingly difficult-to-tame room, Acora Acoustics SRC-2 loudspeakers ($37,000/pair) did a superb job with voices. I sat mesmerized, trying to figure out who was singing "Largo al factotum," aka "Figaro, Figaro, Figaro, Figaro, etc . . .," from Rossini's The Barber of Seville.
Jason Victor Serinus  |  Jun 13, 2022  |  0 comments
One of the many qualities of Wilson Audio SabrinaX loudspeaker ($19,000/pair) is the ability to let you hear, without editorializing, the unique sonic qualities of the electronics that precede them. Thus, with the help of Kubala-Sosna Sensation cabling, a Finite Elemente HD09 ED amplifier stand, and Nemesis Decorac acoustic paneling (bottom photo), could I hear the lovely midrange, impressive bass, and unglamorized highs produced by Bricasti's M21 DAC/Preamp ($16,000) and M25 Stereo Amplifier ($18,000) with the essential help of an Innuos Statement Network Music Server ($15,100 with 1TB internal storage).
Jason Victor Serinus  |  Jun 16, 2022  |  0 comments
Alma Audio of San Diego went all out at T.H.E. Show, with three different rooms showcasing different products at different price points. Dominating their least-expensive room were Audio Alto's made-in-Slovenia AA 1A stereo amplifier ($1990), AA 1P preamplifier ($1990), and AA R101FR loudspeakers ($4000/pair).
Jason Victor Serinus  |  Jun 13, 2022  |  0 comments
It's been far too long since I've encountered Boenicke Audio loudspeakers. Organic in design, with their inner chambers carved out of wood, and sometimes abetted by Bybee devices, they're capable of throwing a huge soundstage from a relatively small footprint. The floating W8 ($8500/pair), used in one of three rooms from Alma Music & Audio of San Diego, include, in addition to what you see on the front, a side-firing woofer and a rear-firing tweeter.
Jason Victor Serinus  |  Jun 15, 2022  |  0 comments
John McGurk's Audioshield distribution, together with Johnathan Ellis's Audio Chamber of Murrieta, CA, featured a system that delivered fine, clear, all-of-a-piece sound that brought a smile to my eyes and happiness to my heart.
Jason Victor Serinus  |  Jun 16, 2022  |  0 comments
Ken Boyce's Cake Audio of San Clemente united many well-respected brands in a fine system that impressed many show goers. At the top of my "Wow, this is good" list were the lovely piano timbres on a 45rpm pressing of Eugene Istomin performing Mozart's Piano Concerto No.24, and good old Elvis' absolutely fabulous, prime voice, do-with-me-what-you-want rendition of "Fever." Not yet the overdone cynic of his later years, Presley perfectly gauged every single syllable and nuance in his surprisingly tasteful, no questions left to ask performance. Need I say that it would not have sounded half as mesmerizing if the gear had not been up to snuff?
Jason Victor Serinus  |  Jun 15, 2022  |  1 comments
"This has to be one of the best sounding rooms at T.H.E. Show," said self to self. Listening to Count Basie and his Orchestra's rendition of "After the Rain," the beauty, clarity, and absolute spot-on rightness of every single high-end parameter I could think of impelled me to write in my notes, "The price reflects the pedigree of the sound."
Jason Victor Serinus  |  Jun 15, 2022  |  2 comments
There were no seats available. Nor was there any real reason to sit. Assembled partly for the fun of it, with components more common to DJs than audiophiles, Common Wave Hi-Fi's Club set-up was designed for enjoyment plain and simple. You've got to hand it to a dealership/social gathering place that devotes as much time to entertaining its guests as selling equipment. They go hand-in-hand, actually, if you do it right.
Jason Victor Serinus  |  Jun 15, 2022  |  0 comments
Hands down winner of my "Anything but Hotel California" Unusual Music Award, the first of Common Wave Hi-Fi of Los Angeles' three rooms kept platters spinning and visitors happy.
Jason Victor Serinus  |  Jun 14, 2022  |  3 comments
Chalk it up to show karma, but I've now covered two consecutive shows where the accuracy of CH Precision's latest gear has lent itself perfectly to comparison demos. In this case, it was AudioQuest's now-completed Mythical Creatures line of "characteristic impedance" cabling, in combination with Stenheim Alumine 5SE loudspeakers.
Jason Victor Serinus  |  Jun 17, 2022  |  3 comments
Given the legendary status of 300B tube-based amplification, this blog may surprise you. But in all my years at audio shows, I cannot recall more than one or two instances when I've been treated to a 300B-based product. If I'm wrong, then it's safe to say that those products did not leave a lasting impression. Since none of my audiophile buddies owns 300B-based electronics, that renders me, at this late stage of life, a 300B virgin.

Which made my half hour in the room sponsored by Oz Turan's High End By Oz even more enlightening...

Jason Victor Serinus  |  Jun 14, 2022  |  0 comments
Joseph Cali, aka the producer/husband of singer Lori Lieberman, made audio news with his sneak peak of Gryphon's prototype EOS 2 loudspeakers ($20,800/pair). A successor to the Mojo S, the EOS 2 is the first Gryphon speaker with a beryllium-dome tweeter.
Jason Victor Serinus  |  Jun 15, 2022  |  1 comments
Katli Audio of Chino Hills, CA, the US importer of Usher Audio loudspeakers, paired Usher's ML-801 ($1l,950/pair in satin wood finish) with rarely-encountered-by-me Conrad-Johnson and other components. The ML-801 has a specified frequency range of 28Hz–38kHz, and a sensitivity of 87dB. A three-way, four driver design with two 8" carbon-fiber woofers, it uses a new 1.25" magnesium-alloy tweeter and magnesium-lithium alloy midrange unit.

Pages

X