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As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity">http://www.stereophile.com//loudspeakerreviews/364/">Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."

The European Commission isn't especially fond of joint ventures by international media conglomerates. Last year, the EC successfully squashed a proposed merger of EMI and Warner Music Group on the grounds that WMG's parent company, AOL Time Warner (then simply Time Warner), combined with the UK's biggest name in music, would create "a virtual monopoly" of the European music market. A few months later, merger discussions between EMI and Bertelsmann Music Group (BMG) similarly went nowhere. EC investigators also looked into price-fixing in the European CD market early this year.

They've been around for years, under a variety of guises and from an evolving list of manufacturers and distributors. But the BBC">http://www.stereophile.com//loudspeakerreviews/361/">BBC LS3/5a loudspeakers still cling to their legendary status. We provide not only J. Gordon Holt's original 1977 review for Stereophile, but also follow-ups from 1984, 1989, and 1993. Read about the little speaker that could.

Maybe it's only fair: Consumer electronics giants like Sony have been selling personal computers lately, so computer manufacturer Compaqhttp://www.compaq.com/ipaqaudio">Compaq; announced last week that it will begin selling audio products. Joining Intel in making the transition from the computer industry to consumer electronics, Compaq has now redefined itself as "a global enterprise technology and solutions company."

First, the sobering reality: Among the world's billions of music lovers, probably a million or fewer are true audiophiles, for whom sound quality is a primary concern. The uncritical majority will embrace any audio technology that offers economy and convenience. Case in point: the popularity of the MP3 digital format, widely derided by audiophiles for its compressed dynamics and lack of detail, but adopted readily by the general public because of its ease of use.

Music industry attorneys may not enjoy much of a summer vacation. The season got off to a litigious start with a flurry of lawsuits by and against record labels and music-based websites.

With the proliferation of audio and video formats based on the 5.25" disc (CD, DVD-Audio, SACD, CD-R, CD-V, DVD, etc), buying a universal player that can decode anything thrown at it is many a consumer's Holy Grail. But to date, the vast majority of manufacturers (Pioneer being a notable exception) have been taking sides, choosing to exclude either SACD or DVD-Audio playback from their machines.