Stephen Mejias

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Now on Newsstands: Stereophile, Vol.37 No.4

The April 2014 issue of Stereophile is now on newsstands. Inside, you’ll find 35 pages of “Recommended Components,” our handy guide to today’s best audio products, covering categories including: Turntables, Tonearms, Phono Cartridges, Phono Preamplifiers, Media Players, Digital Processors, Loudspeakers, Amplifiers, Preamplifiers, Integrated Amplifiers, and Headphones.


Our cover model is the extraordinary Vivid Audio Giya G3 loudspeaker. Is there room in John Atkinson’s heart for another loudspeaker? My guess is yes, but where exactly does the Giya G3 rank among the countless other contenders that have spent time in JA’s listening room? Other products reviewed in this month’s issue include:

Now on Newsstands: Stereophile, Vol.37 No.3

Here's a little something to warm your hearts: The March 2014 issue of Stereophile is now on newsstands, and it's a very special issue, indeed. Inside, you'll find that our editor, John Atkinson, has fallen in love with a new pair of headphones. Has the sexy Audeze LCD-X seduced him away from his old, beloved Sennheiser HD650?


Of course, there's more.

A Day in the Life (#gradolabs)

Instagram is the first app I check each day. What does that say about me? I certainly like pictures. I also enjoy keeping up with friends and family through images, seeing what they see each day, glimpsing a day in their lives. But, beyond that, I’m not sure.


Interestingly, more and more audio manufacturers are showing up on Instagram. I follow several, including:

Old and New: A 2014 Resolution

Thanks to Art Dudley, Norman Blake's Old and New was one of my three major musical discoveries of 2013. What will 2014 bring? It should be an interesting year, to say the least.


Happy New Year! I hope you’re somewhere warm, like Rincon or San Clemente, taking in a ton of golden sunshine and perhaps enjoying a rum punch. In New York, New Jersey, and much of the rest of the country, the New Year came with several of inches of cold, white snow that fell from the icy sky like the confetti we happily tossed about on New Year’s Eve. This is a perfect day to stay inside and listen to that pile of records you’ve so carefully propped up against the wall.


Over the last seven years, I’ve pretty much purchased any damn record that sparked my interest.

My Favorite Records of 2013

Here’s a list of my 50 favorite albums of 2013. This is by no means a definitive list. These aren’t “the best” or “the most important” records of the year. They’re simply the 50 records that, for one reason or another, managed to capture my attention, spark my imagination, excite and inspire me. They also often drove me into fits of loud song, wild dance, and happy laughter. I love these records, I’m grateful for them, and I want to share them with you. Many of these you will already know. Others will be new to you. I hope you enjoy them all as much as I do, but I will, of course, understand if you don’t. Please feel free to share your own favorites in the Comments section.

Death to the Loudness Wars?



Over at The Quietus, Nick Southall speaks with mastering engineer Bob Katz about how iTunes Radio may soon put an end to The Loudness Wars. I direct your attention to the article partly because it's a good read and partly because, in hi-fi circles, we tend to think that young people don't care enough about sound quality; this article is a small bit of proof that there are in fact young people who know how to listen. Nick Southall, clearly as obsessed with music and sound as anyone, is two years younger than me. (And, in hi-fi years, I'm a child.)


Here's an especially good bit from Southall's article, Bob Katz speaking:

Burger Records: A Wonderful Way to Live

For me, and many people like me, the 365 days that comprise a calendar year are more than just a tidy representation of a brief period of life. Those 365 days mark a period of music discovery, filled with disappointments, surprises, and, if we’re lucky, one or two completely life-altering revelations.


If discovering a new artist is great, even better is discovering an entire record label of exciting new artists. It happens for me with increasing reliability:

The News about DSD

For many, the current hot topic in the world of high-end audio is Direct-Stream Digital (DSD), a method, developed by Sony and Philips, of digitally encoding an analog signal. The irony is that DSD is nothing new. The basis of the technology dates to 1946. Stereophile described it in “Industry Update,” as early as Vol.19 Nos.1 and 5, and again in Vol.20 No.9. And, almost exactly 14 years ago, in November 1999, John Atkinson went into greater detail, contrasting DSD with the more common Pulse-Code-Modulated (PCM) encoding used on CD:

La Luz

La Luz: Marian Li Pino (drums), Abbey Blackwell (bass), Shana Cleveland (guitar), Alice Sandahl (keys)


On Tuesday night, while on their way to Seattle to play a show with Of Montreal, the four young women who make up the great new band La Luz suffered a frightening accident. Losing control of their van, they slid across black ice, and slammed into a concrete highway divider. The band managed to maneuver their van to the side of the road, where they called for help. Then, almost incredibly, while waiting for the police and a tow truck to arrive, their van was hit by a semi-trailer truck. The van, all of the band’s gear, and many of their belongings were completely destroyed.


To get a sense of the impact, see a photo of the van here. Fortunately, it was a 12-passenger van, and La Luz were using the entire back half as cargo space for their gear and belongings. The women were seated up front when their van was rear-ended by the semi-truck, sending them toppling into a ditch. Moments later, a third van slid across the freeway and collided into the semi! Aside from bruises, broken bones, and the major disappointment of having to cancel the rest of their tour, all members of La Luz are fine, as are the drivers of the other vehicles.


A message from La Luz’s official website:

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