CES 2018

For our video coverage of the 2018 Consumer Electronics show in Las Vegas, we purchased Sennheiser's "Ambeo" binaural system, which mounts microphones on the outer surfaces of a pair of earbuds, thus allowing the ears' pinnae to influence each mike's pick-up pattern. The Ambeo connects to an iPhone. In this report, John Atkinson visits the Lamm, Vandersteen, and VTL rooms, talks to exhibitors about their systems and their thoughts on the show, listens to some of his recordings, as well as some chosen by the exhibitors, and offers his thoughts on what he had just heard. But first, Michael Fremer shows off his Karaoke skills!

When Jason Victor Serinus visited the Bluebird Audio room on the Venetian's 35th floor, he mentioned that Chord was demonstrating its Blu Mk.2 CD transport ($11,788) along with the Dave DAC that I reviewed and was impressed by last June. I chatted with Chord's digital guru Robert Watts (above in photo) about the new transport and he mentioned that it incorporated his latest WTA (Watts Transient Aligned) digital filter with a million taps! (The more taps there are, the closer a DAC can reproduce the timing information in the reconstructed analog signal—see my DAVE review for why Robert feels why this should be so.) I was puzzled, as a digital reconstruction filter belongs in a DAC, not a transport.

Paired with the same Theta Gen. VIII DAC/preamp ($15,995)/Theta Compli Blu transport ($3995) combo and VPI Avenger reference turntable ($20,000) as in the SAE room, but with a TR phono cartridge ($7000) replacing the Zu, this room showcased CAT's brand new MBX 1250.2 FD XPR twin monoblock amplifier ($30,000), which outputs 1250Wpc in to 4 ohms, and MBX 320.2 FD ($10,000) twin monoblock amplifier, which outputs 320W into 8 ohms. The amps were driving a bi-amped pair of CAT loudspeakers, specifically voiced for this hotel room, which consisted of CAT MBX 900 Trinity satellites resting upon MBX Miramar subwoofers ($100,000/pair for all). Analog crossovers were employed, and the subs were dialed-in through a CAT MBX DSP8x8 digital signal processor ($15,000).

Etymotic's Albert Arends was showing four models of the company's earphones. The Etymotic ER3SE (Studio Edition—$179) has a flatter response than the ER3XR (Extended Response—$179), which has "a bit of a bass lift" in the 100Hz-1kHz region. One major difference between these models and the higher level ER4 SR (Studio Reference—$349) and ER4XR (Extended Response—$349) is that only the latter are channel-matched to within 1dB.

Both Andrew Jones, who designs Elac loudspeakers, and Peter Madnick, who is responsible for Elac's Alchemy series of components (the successors to the Audio Alchemy brand), were on hand to demonstrate a system that sounded equally wonderful on both of the "Red Book" files I heard there. I loved how beautifully this system captured the seductive midrange of David Roth's voice on "Before I Die" as it conveyed his music with captivating warmth and lovely layering. Timbres on Count Basie's 88 Basin Street were also natural and compelling.

Because Art Dudley is writing a Follow-Up review to Michael Fremer's take on the Audio Technica AT-ART1000 direct-power stereo MC phono cartridge ($4999), I shall replace lots of words with this blow-up of a cartridge whose coils sit at the tip of the cantilever, right over its diamond stylus.

Gorgeous metalwork award goes to Tom Vu's Triangle Art display and especially the Master Reference Turntable ($39,900) seen in the photo above. Vu is based in Memphis TN, and said that the show marks the debut of the Master Reference Turntable's little brother, the Maestro (shown below), which retails for $7,500 and is available now.