Munich 2023

It's hard to convey the scope of the annual High End Munich audio show to someone who has never attended. Spread out over three floors of a large facility called the Munich Order Center (MOC), the show is notable for how different it is from audio shows in the US. The ground floor is an area about the size of three American football fields, where brands set up professional trade show booths to display their wares. This is a long way from the draped folding tables and back curtain on a rail that defines a "show booth" at most US shows. What you'll find on this level is mostly static displays, although scattered among the displays you'll find prefabricated sound rooms, acoustically designed spaces designed to allow live demonstrations on the ground floor.

My main focus at the show was to try to root out interesting new record-playing gear. I was not disappointed. Here are a few select highlights from what I saw at the show.

What a show. During its four days in the MOC event center, the first two reserved for industry and press, Munich High End attracted 22,137 visitors from approximately 100 different countries. With 550 exhibitors and more than 1000 brands from 54 nations, they had plenty to hear and see.

It had been far too long since I'd experienced a Peter McGrath demo, let alone one in which the master recording engineer and Wilson Audio Brand Ambassador had a full hour to share his recordings. At last, on Sunday at 2pm at Munich High End 2023, Peter followed Abby Fon of Impex Records' packed presentation on Al Di Meola, John McLaughlin, Paco DeLucia: Saturday Night in San Francisco 12 • 6 • 80 to spend an hour in the Nagra room playing a generous helping of some of the favorite tracks that he's recorded over the years.

Having debuted his extremely impressive Mach 8XL loudspeaker ($30,800–$33,000/pair, depending upon finish) at AXPONA, Grandinote owner/designer Massimiliano Magri and North American distributor Reinhard Goerner joined forces in Munich to preview the forthcoming dual mono, fully balanced, class-A Solo amplifier ($20,000 + options).

AV RoomService's Norman Varney is committed to addressing smaller and smaller vibrations that can affect system performance ways in far less subtle than one might wish. The latest additions to his roster, shown in this admittedly less than sexy photo, includes two chassis lid damping devices. The first, a constrained layer stainless-steel damping strip that attaches internally to a chassis lid, should be affixed at an angle so that it will affect more modes. There are two models: a 12" × 2" strip ($35) or the larger 12" × 24" version ($65).

Twenty-five years after their founding, and 16 years after Stereophile last reviewed a Peak Consult loudspeaker, the Danish company released its new 500lb Dragon Legacy ($225,000/pair) at Munich High End. At the same time, Peak Consult, which Wilfried Ehrenholz, former audio of Dynaudio, took over in 2014, is finally beginning to reach out to the US market. After hearing the Dragon Legacy, I'm convinced that Sunil Merchant of Sunny's Components in E. Covina, CA will soon be joined by other dealers in the US.

You read it here first. After aeons of confusion over the Canadian company's name—is it Moon, is it Simaudio, or is it Simaudio by Moon?—our friends to the North are poised to finally resolve the issue. But before their Moon launch, they are launching their first new product range in 10 years, the upper-echelon North Collection. Consisting of three products, two in the 600 range, two in the 700, and two in the 800, all are full balanced designs.

Costa Koulisakis (above), the extremely knowledgeable and articulate public face of whatever they're called, began with the 641 all-analog, 125Wpc integrated amplifier ($11,000) and 681 streaming DAC ($12,000), which has fixed and variable outputs that does up to 32/384 MQA and DSD256.