Jason Victor Serinus

Jason Victor Serinus  |  Jun 02, 2006  |  0 comments
Today I awoke determined to have no agenda. Start on the third floor of the LAX Sheraton Gateway, begin walking about, and see where you're led.
Jason Victor Serinus  |  Jun 02, 2006  |  2 comments
My final audition before attending the warm, "family affair" Classics Records press conference took place in Elliot Midwood's Acoustic Image room, which displayed gear he sells at his store in Studio City, CA. Once I spyed the same ESP Concert Grand SI speakers ($40,000/pair ) that drove John Marks into ecstasy in April, I had to listen. Amplification came complements of Wavestream Kinetic V8 monoblocks, which output 250–300W in triode mode ($35,000). Also on hand were the fabled Messenger preamp and the Lector four-chassis CD Drive and DAC ($9000).
Jason Victor Serinus  |  Jun 02, 2006  |  1 comments
11 AM Thursday, my first room at HE2005: I've just spent way over an hour listening to VTL gear in two completely different configurations. The first, in a hotel suite whose dimensions are similar to rooms in many smaller homes or larger apartments, paired the new VTL MB-450 monoblocks, TP6.5 phono preamp, and just upgraded Reference TL-7.5 linestage preamp with the Jadis JD1 Mk.II transport and JS 1 DAC, VPI Aries 3 turntable with JMW 10.5i tonearm and Benz LP cartridge, Wilson Sophia 2s, and Cardas cabling.
Jason Victor Serinus  |  May 20, 2006  |  0 comments
It may read like a page out of a classic corporate crime thriller, but the threat is real. ExpoPul, a company whose factory in Saratov, Russia manufactures vacuum tubes under the brand names Sovtek, Electro-Harmonix, Tungsol, Svetlana, Mullard, and others—tubes that include the 6H30 "super tube"—is threatened by one of the many Russian corporate "raiders" who are increasingly stealing businesses from their rightful owners. If the threatened hostile takeover proves successful, two-thirds of the world's supply of vacuum tubes—tubes vital to the sound of audiophile gear and instruments from such well-known companies as McIntosh, Audio Research, BAT, Jadis, Fender, KORG, Peavey, Vox, Soldano, Carvin, Ampeg, and Crane—could become a thing of the past.
Jason Victor Serinus  |  May 07, 2006  |  0 comments
On May 4, Fortuna Classical Music announced release of their Maestro music server, "the first and only music player for the classical music enthusiast." Maestro's launch coincides with a major two-page centerfold spread in the June issue of Gramophone magazine's North American edition, followed by a single-page Gramophone advertisement in July that will include a promo CD.
Jason Victor Serinus  |  Apr 23, 2006  |  0 comments
On March 24, Universal Classics labels Decca and Deutsche Grammophon announced a pioneering global initiative to release live recordings of recent performances by the Los Angeles and New York Philharmonics for download on iTunes. By the end of the year, four major European orchestras are expected to follow suit, releasing live concerts on the web on the DG Concerts or Decca Concerts virtual labels.
Jason Victor Serinus  |  Apr 09, 2006  |  0 comments
Enjoying classical music performed on original instruments has just gotten easier. After 25 years of issuing recordings on LP and CD, the invigorating Philharmonia Baroque Orchestra has decided instead to make recordings of its live performances available for download.
Jason Victor Serinus  |  Mar 25, 2006  |  0 comments
The Consumer Electronics Association (CEA), the producer of the International Consumer Electronics Show (CES), has finally confirmed the rumors that have been circulating for many weeks: The industry sector that CEA terms "high-performance audio" will move from its customary venue at the Alexis Villas (originally the Alexis Park) to the Venetian Hotel in 2007. In addition, "high-performance audio" and "high-performance home theater" will now be represented under the same umbrella.
Jason Victor Serinus  |  Mar 19, 2006  |  0 comments
After learning from John Sunier, publisher of Audiophile Audition, that Naxos, the largest classical label in the world, was expected to cease producing SACDs and DVD-As, I checked with their national publicist, Mark A. Berry. He in turn sought confirmation from Naxos' founder and chairman, Klaus Heymann.
Jason Victor Serinus  |  Mar 11, 2006  |  0 comments
The debates may be old, but they're not tired. They rage on with a virulence that suggests there's plenty of life in these old dogs yet. Online forums and Letters to the Editor are filled with them: objectivist vs subjectivist, engineer vs audiophile, double-bind vs doubly blind. The divisions may be artificial or downright specious—false dichotomies perfectly set up for cheap shots—but that doesn't dissuade people from drawing sides, driving stakes into the ground, and firing off volley after volley of accusation and retaliation.

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