LATEST ADDITIONS

It was late May 2002 and I was about to leave the Free Republic of Bay Ridge, Brooklyn, for the high-class hallways of the New York Hilton and Home Entertainment 2002, so I could file daily reports for www.stereophile.com. As he was giving me last-minute instructions, webmaster Jon Iverson said, "I don't know whether or not you followed Herv&#233; Del&#233;traz's <A HREF="http://www.stereophile.com/news/10825">articles on building his amplifier</A>, but he's going to have a sample at the Show. You should drop in and check it out. It sounds kind of interesting."

On April 14, Krell Industries invited the New York&ndash;based audio press to its first-ever American demonstration of its Evolution electronics separates, at Sound By Singer. In a surprise move, the company also debuted a complete "re-imagining" of its flagship loudspeaker, the <A HREF="http://www.stereophile.com/loudspeakerreviews/382">LAT-1</A>: the $55,000/pair LAT-1000. "We set out to improve the LAT-1," Krell CEO Dan D’Agostino said, "and in the end, probably the only parts we retained from the original design were the top and bottom panels. The LAT-1000 is essentially a completely new design&mdash;although it does retain the same footprint as the LAT-1, since that proved so popular in Japan that we didn't want to mess with it." And, he said, patting the aluminum top-plate, "Let me tell you, it was hard to pack all of this new technology into a package this size."

<I>Lights out in Gloversville:</I> Universal Music Group's record-pressing plant in Gloversville, NY will shut its doors on May 6, 2005. Founded in 1953 as part of the Brunswick Radio Corporation of America, the plant (and the parent corporation) were acquired in 1962 by Decca, which was itself merged into MCA&mdash;and later, UMG, now part of Vivendi Universal.

When I submitted my <I>Records 2 Die 4</I> selections this past winter, it seemed inevitable that I include a web radio station. Not only had I enjoyed listening to <A HREF="http://www.techwebsound.com">www.techwebsound.com</A&gt; more than anything else last year, but it had exposed me to more new music and led to more music purchases than any other source&mdash;by a wide margin.

Do you feel you have developed skills for placing speakers in a room, or do you plunk them down, shuffle them around, and hope for the best?

These days, too many audio stores are like hushed mausoleums. Audio gear is displayed like dead art, and the sales staff, unless you're known as a regular customer, either greets you with a predatory gleam or, certain that you've wandered in by mistake, ignores you.

In 1985 or so, a middle-aged audiophile who lived in New York City called to invite me to come listen to his stereo: It was, he assured me, the best in the world. All he wanted was the pleasure of my opinion, for which he offered the princely sum of $100. (As I learned in the months and years to come, this same audiophile called virtually every other audio writer in the metropolitan area whose phone number he could get hold of, making the same offer.)