Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
ModWright Does it Right at SouthWest Audio Fest 2026
Semrad Audio and EM/IA Salute Big Horns and Tube Amps at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

Sonus Faber Stradivari Homage loudspeaker

Yamaha once made a loudspeaker shaped like an ear. I felt sorry for the guy (especially if he was an audiophile) who had to write the ad copy explaining why a speaker shaped like an ear would sound better than one shaped like a shoebox or a wedge of cheese. An ear-shaped loudspeaker makes about as much sense as an eyeball-shaped television. But what about a loudspeaker that is designed like a musical instrument?

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dCS Verdi La Scala CD/SACD transport & Delius D/A converter

Giuseppe Verdi gave the world more than two dozen operas, some good sacred music, and one string quartet. He also provided the young Arturo Toscanini with one of his first big breaks—conducting the singing of "Va pensiero" at his burial procession—and gave the flagship consumer product from England's dCS Ltd. its name. That the latter two gestures were posthumous and unwitting does nothing to diminish their poetry.

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Angus McKenzie MBE (1933–2005)

Angus McKenzie was a wholly remarkable individual. One of British hi-fi’s legends, he was the country's leading equipment reviewer for more than a decade, but that was only one of several careers and passions he pursued with repeated and conspicuous success, despite losing his sight completely at the age of 26.

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2004 Records To Die For

It used to be that, when I sat down to write the introduction to <I>Stereophile</I>'s ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous&mdash;but, as with the aforementioned jokes, I can't seem to think of it right now.

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Recording of January 2005: Beethoven: Complete Music for Cello & Piano

<B>BEETHOVEN: <I>Complete Music for Cello & Piano</I></B><BR>
Cello & Piano Sonatas: in F, Op.5 No.1; in g, Op.5 No.2; in F, Op.17; in A, Op.69; in C, Op.102 No.1; in D, Op.102 No.2. Variations: in F on Mozart's "Ein M&#228;dchen oder Weibchen," Op.66; in E-flat on Mozart's "Bei M&#228;nnern," WoO 46; in G on Handel's "See, the Conquering Hero Comes," WoO 45<BR>
Andr&#225;s Schiff, piano; Mikl&#243;s Per&#233;nyi, cello<BR>
ECM New Series 1819/20, B00003389-02 (2 CDs). 2004. Manfred Eicher, exec. prod.; Stephan Schellmann, eng. DDD. TT: 2:31:19<BR>
Performance <B>****&#189;</B><BR>
Sonics <B>****</B><BR>

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