Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
ModWright Does it Right at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Semrad Audio and EM/IA Salute Big Horns and Tube Amps at SouthWest Audio Fest 2026
Linear Tube Audio, Prodigio Audio, and Spiritual Sound at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

Primare D30.2 CD player

High-end audio has always been a tricky business, and in recent years it's become more so. Home theater is pulling in one direction, and MP3, iPods, and the Internet are pulling in another. And customer expectations—not just of sound quality, but also of usability and integration into their space and lives—are spiraling upward. The companies that are thriving amid these pressures seem to have adopted one of two strategies: either they focus more narrowly and try to convince the world to accept their vision, or they evolve their products in an attempt to anticipate the market.

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Industry Roundup

TrueSound Lounge: Headphone giant <A HREF="www.sennheiserusa.com">Sennheiser</A&gt; has opened an online music destination, the Sennheiser <A HREF="http://www.truesoundlounge.com">"TrueSound
Lounge</A>", providing web-surfers an entertaining selection of new music from
company-supported emerging artists like Sugarcult and Jody Whitesides. The site also provides "fun, quick-witted web-video shorts from top commercial filmmakers and producers, fruits of the Sennheiser Invitational Film Project," and "concise info on Sennheiser's unequalled selection of personal listening products," according to a recent announcement.

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RIAA vs CEA Over DAB

The <A HREF="http://www.riaa.org">RIAA</A&gt; foresees that digital audio broadcasting (DAB) will represent a fundamental change in the radio industry. "It is not just a means of offering higher quality broadcast sound. DAB could transform radio into a vehicle for the distribution of huge amounts of information in digital form, including recorded music," says the trade organization. As a result, the group is supporting regulatory restraints on digital audio broadcasting (DAB) in reaction to a Federal Communications Commission (FCC) Notice of Inquiry (NOI) regarding DAB content control.

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Added to the Archives This Week

In his review of the <A HREF="http://www.stereophile.com/loudspeakerreviews/604velodyne">Velodyne Digital Drive DD-18 powered subwoofer</A>, Larry Greenhill comments, "When I've tested other 'breakthrough' subwoofers, I've been disappointed. All the convenient fine-tuning in the world won't matter if I end up with the same nasty old room modes and woofer bloat." But as LG discovers, the DD-18 is indeed different.

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Vinyl Value

I recently bought a turntable, the first I've owned in about 15 years. I had sold my vinyl collection&mdash;a mix of classic rock, early 1980s pop, and the odd jazz or classical LP&mdash;when I was in grad school, for economic reasons: I needed the money for rent, or food, or beer, or something. Nor do I know what happened to my old plastic turntable; more than likely, I left it curbside for anyone strolling by who was able to appreciate its value.

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Listening #18

A grainy film is said to exist that proves the viability of a mechanical antigravity device. The inventor, a native of Syracuse, New York named Harry W. Bull (footnote 1) placed his so-called "bootstrap machine" on a bathroom scale, focused a borrowed home movie camera on the dial, powered up the machine, and watched as the numbers spun backward. This event, and the development work that led to it, were the basis for a series of articles&mdash;and a subsequent exchange of heated letters&mdash;in <I>Popular Science</I> magazine. The year was 1935.

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