LATEST ADDITIONS

I think I've finally figured out the secret of <I>Stereophile</I>'s success. You, cherished reader, <I>don't</I> read this mag because it's chock full o' reviews of tantalizing audio gear (even though it is). And you <I>don't</I> read this mag because JA and RL strive so hard to keep the literary quotient as hi as the fi (even though they do). And I <I>know</I> you don't read this mag cuz trusting yer own sensory input is a mighty scary proposition indeed so you look to <I>Stereophile</I> as to a Holy Bible that eases your Earthly burden by <I>telling you</I>, Ah say Ah say TAILING YEW what to buy (do you?).

In this age of $70,000-plus "flagship" designs, perhaps $25k is no longer an obscene amount to pay for a pair of loudspeakers. Still, it's <I>mucho dinero</I>. What makes a speaker worth this kind of bread? Does the product's intrinsic value really warrant such a lofty cost, or is it merely a matter of pricing at what the market will bear? The answers to these questions requires careful examination of not only the speaker, but also of the buyer's own soul, priorities, and pocketbook.

Are CD prices too high? Does pricing constrict the amount of music you purchase and listen to? After reading the responses to last week's question, it seems appropriate to ask if you would buy more regular CDs if the price dropped substantially---let's say to around $8 US per disc at retail.

The latest music-piracy statistics have just been released by the <A HREF="http://www.riaa.com/">RIAA</A&gt;, bringing to light several new wrinkles in the ongoing struggle to protect the owners of music copyrights from those who illegally copy and sell protected works. Released August 21, the report details the new problems brought about by CD-R technology and MP3 files distributed via the web.

The <A HREF="http://www.fcc.gov/">Federal Communications Commission</A> is fighting an epidemic called "microradio." The agency has closed 250 unlicensed stations in the past year, most of them low-powered urban pip-squeaks with less than 100W of power and broadcast radii of 10 miles or less. The typical microradio station offers an off-center perspective on local, national, and world events to a listenership of a few hundred people, and loses money in the process.

In last month's edition of this new column, I wrote about those of us whose systems are out in the breeze in the Family Room, at the mercy of wives, Significant Others, curious children, cats'n'dogs, and nonaudiophiles who, for the life of them, can't figure out what it's all about. I met a chap the other day whose wife said to me, "Oh, you suffer from the same audiophile disease." I hastened to inform her that I am the disease, and suggested that her husband was pursuing a noble path for the love of music—no bad thing, in my view. She remained unconvinced.

Recent announcements indicate that DVD-Audio may soon emerge as a set of standards. Assuming that a DVD-Audio disc is not backward-compatible with CD players, but will play on the new DVD player (with DVD-Audio update) you just bought, how much would you spend for the special discs?