Analog Corner

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Analog Corner #214: The Ortofon MC Anna Phono Cartridge

Ortofon's limited-edition MC A90 was the first phono cartridge made with selective laser melting (SLM). Using this technique, metallic powder is fused to build up, layer by layer, a specific shape. SLM allows the creation of complex constructions impossible to fabricate from a block of wood or metal using traditional machining techniques.

Analog Corner #216: The Power of Vinyl and the NVO SPA-II phono preamplifier

I was in Seattle last February to take part in one of the popular "Music Matters" events promoted by retailer Definitive Audio. Definitive's Mark Ormiston and Craig Abplanalp and their crew really know how to produce a memorable evening for both their customers and the manufacturers who fly in to demonstrate their gear. I was there to talk about . . . guess what?

Analog Corner #218: I've Been Everywhere, Man

In the old days, this column would have covered last May's High End show in Munich and T.H.E. Show Newport Beach. Today, live online blogging renders obsolete magazine reports that arrive in your mailbox months after the events. It also makes life difficult for a monthly magazine columnist. I wasn't home a good part of the month, so how much serious listening do you think I managed? But what a month!

Analog Corner #219: DSA Phono II preamplifier, Stein Music and Miyajima phono cartridges

Shortly after the July 2013 issue of Stereophile hit the newsstands, I received an e-mail from audio restoration expert Doug Pomeroy, who specializes in the digital preservation of disc pressing metal parts, acetates, and 78s . . . His and my opinions about digital sound couldn't be more divergent.

Analog Corner #221: Trinity Electronic Design & Thrax Phono Preamplifiers

The quest for vinyl quiet seems, at best, quixotic. By "vinyl quiet" I don't mean "quiet vinyl," which we now reliably get from pressing plants like QRP, RTI, Pallas, and a few others. I'm referring to makes of phono preamplifiers who set as a primary design goal electronic "quiet," ie, an absence or minimum of electronic noise. A stylus coursing through the groove of even the quietest LP still produces a considerable amount of noise.

Analog Corner #222: The Thales TTT-Compact turntable & Simplicity tonearm

Though clearly built more for performance than for looks, the Thales TTT-Compact ($13,200), designed and built in Switzerland by Micha Huber, ranks among a handful of today's most elegant new turntables. Like the Spiral Groove SG 1.1 or the AMG Viella 12, the TTC-C, true to its name, is compact and self-contained, with its belt and built-in motor hidden under the platter.

That Huber was once a watchmaker is evident in every aspect of the densely packed TTT-Compact, which measures approximately 18" wide by 3.5" high by 12" deep. From the packaging and instructions to its muted, satiny finish, the TTC-Compact exudes sophistication of design and execution.

Analog Corner #223: Acoustical Systems SMARTractor & Hagerman Trumpet Reference Phono Preamp

On analogplanet.com you'll find coverage of my visit in November 2013 to the 10th annual Manila Hi-Fi Show, which took place the weekend of the devastating typhoon Haiyan (Filipinos call it Yolanda). Because the people I met there are such big Stereophile fans, I wanted to be sure to give them a shout-out in this column, too.

Despite the weather, which prevented audiophiles living on other islands of the archipelago from flying in for the event, at least 2000 managed to attend. These are passionate, enthusiastic audiophiles—and the high proportion of young people, particularly among the vinyl buyers, was encouraging.

The greeting I received throughout the show was beyond my most vivid egomaniacal daydreams. I was treated so well that I don't know how to express my gratitude, other than to just say "Thanks"—and get back to work.

Analog Corner #225: Why, in 2014, Does Vinyl Continue to Grow?

Michael Fremer advocating vinyl and analog on MTV in 1993.

Vinyl sales in America rose 30% in 2013, according to Nielsen SoundScan, which keeps a tally of recorded media sales. Because Nielsen SoundScan only skims the surface of the record retailing picture, missing considerable "nook and cranny" sales, the real number is probably far greater. The SoundScan numbers also omit sales of used vinyl, which are considerable.

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