AXPONA 2022

I've been a fan of European Audio Team electronics since I reviewed the fantastic E.A.T. E-Glo I integrated amplifier in the December 2020 issue of Stereophile. Unfortunately, that mighty tube treat wasn't present at AXPONA, but Vana Ltd. importer, CTO Roy Feldstein, told me to chill. He had more E.A.T tricks up his sleeve.

If you're like me, when attending audio shows you have your go-to joints, those rooms where the presentation will be engaging, the conversation interesting, and the good vibes effortless. Consistency frames the visit, like a homecoming where nothing has changed, where friends (and their hi-fis) welcome you. At the risk of sounding like a hawker, Credo Audio Switzerland—at Axpona's Nirvana B ballroom—has become one of my go-to joints.

Discovering new products from new companies is one of the best parts about audio shows. As much as we enjoy seeing familiar industry faces and brands, it's also great to meet new ones.

Aretai was founded in 2018 by Janis Irbe, the technical designer, and Edgars Zvirgzdiņš, the product designer, who hail from Latvia. At AXPONA Aretai presented the 100S entry model from their inaugural Contra collection of loudspeakers.

As MoFi Distribution is based in the Chicagoland area, it's no surprise they go all out at their hometown AXPONA. They packed the house with exhibits in four rooms featuring plenty of debuts, so I'll divvy my coverage into a couple of parts.

But first, some big news. Illustrious loudspeaker designer Andrew Jones, known for his work for Pioneer, ELAC, and other companies, has joined with MoFi Distribution. Word is, Andrew will be designing a speaker to round out MoFi's own system lineup.

My first surprise of the day came when I squeezed what I thought was Colgate from a red-and-white tube onto my toothbrush. It turned out to be hydrocortisone cream, also from a red-and-white tube.

After that, I ventured out and got my second surprise, this one considerably more pleasant. In one of the third-floor Saturday Audio Exchange rooms, I encountered a new flagship Paradigm loudspeaker, the floorstanding Founder 120H ($8499/pair).

For two years now, pandemic-related supply-chain issues have racked (but not wrecked) the high-end industry. Things still aren't back to normal, and sometimes planned product launches have to be pushed back. Today, when I visited the room featuring Magico loudpeakers and Luxman electronics—see KM's report here—I found out we'll have to wait just a little longer for the next Magico speaker, but I can't imagine that anyone was disappointed when the company's Peter Mackay brought the M6s ($185,000/pair) to AXPONA. A known quantity they may be—the product was introduced five years ago—but I was whistling Eric Clapton's "Hello Old Friend" as soon as I saw them.

The Germans have a great word to describe things that are insipid and inoffensive: salonfähig ("fit for the parlor"). On that note: How many Patricia Barber tracks can a man take? After two days at AXPONA, I craved some kickass rock 'n' roll. Green Day, Rammstein, Rage Against the Machine; the Rolling Stones or Led Zeppelin would do in a pinch. And fortunately, that's the scene I found in the JBL room. Unapologetic raucous rock emanated from the new 13"-tall JBL L52 bookshelf speakers ($995/pair), powered by a JBL SA750 Class-G streaming integrated amplifier ($3000).