Capital AudioFest 2024

The high-end audio world, with its shiny boxes and astronomical price tags, often gets a bad rap. People dismiss it as a playground for the wealthy, a place where form trumps function. But Jeff Fox, the mastermind behind Command Performance AV, isn’t buying it. He’s here to prove that high-end audio isn’t just about showing off; it’s about experiencing the blood, guts, and beauty of music. If the prices start to rise, at least you were warned.

Bending Wave’s Elliot Goldman and Tone Imports’ Jonathan Halpern brought a change of pace to the Jackson Suite, with not one or two but eight US debuts for the rowdy Capital Audiofest (CAF) crowd.

One of the showpiece rooms at Capital Audiofest 2024 was the Matterhorn Audio Group demo in Plaza 1, which is essentially a small ballroom. The rarefied systems shown were up to the task of filling the spacious room with beautiful music.

Fidelis Distribution’s Walter Swanbon plays the long game. Like other legacy manufacturers—think Audio Note, Tannoy, Audio Research—Swanbon’s equipment offerings are classics: some in waiting, some long established as leaders.

Compared to past years, Fidelity Imports and its stable of brands kept a lower profile at this year’s Capital Audiofest. It shared rooms with local dealer, The Listening Room (“Audio Systems of Distinction” since 1978), showing equipment I have become familiar with both from afar and up close, as in my recent review of the Michell TecnoDec at Analog Planet, and soon, the Union Research S6 integrated amplifier for Stereophile.

So there I was, in the parking lot of the Rockville Hilton, cigar smoke curling into the crisp autumn air, grilling Gary Gill about his brainchild, Capital Audio Fest (CAF). This East Coast audio extravaganza has grown into a monster, bursting at the seams of its Rockville venue.