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Back in June of 1992, Lewis Lipnick auditioned one of the era's benchmark products, the Cello">http://www.stereophile.com/amplificationreviews/692cello">Cello Palette Preamplifier. LL comments, "The Palette Preamplifier gives the listener a glimpse of what performers experience every day on stage: total immersion in the music."

John Atkinson wires up a pair of Gershman">http://www.stereophile.com/loudspeakerreviews/704gershman">Gershman Acoustics Opera Sauvage loudspeakers, noting, "'Mellow' was the word I used to describe my first impression of the Opera Sauvage's balance, and nothing I experienced throughout my auditioning persuaded me that that impression was mistaken."

iTunes is proving every day that some music fans love to procure music through the Internet. On the other hand, audiophiles often complainhttp://cgi.stereophile.com/cgi-bin/showvote.cgi?310">complain; about the poor sound of the "CD quality" compressed files that Apple and others offer for download at similar prices to those of their uncompressed CD counterparts.

Lexington, KY–based Thiel">www.thielaudio.com">Thiel Audio has announced a new line of SmartSub subwoofers, "designed as the ultimate solution for bass management and reproduction in home theater and music sound systems." The line includes the SS1, SS2, SS3, and SS4 subwoofers, the SmartSub Integrator, and the PX02 and PX05 Passive Crossovers, a group of products said "to offer the most seamless and realistic low frequency reproduction possible." Company president Kathy Gornik describes the new line as "the world's first intelligent subwoofers."

Like most Americans, US audiophiles have little idea how difficult life can be for people in other countries. Imagine facing official censure for possessing some innocuous pop music, or taking 12 years to accumulate the complete works of one of your favorite rock groups. That was life in the old Soviet Union for Stereophile colleague Leonid Korostyshevski, who flew to Istanbul from Moscow on short notice, so we could spend a few days together prior to my embarking on a sailing trip in the eastern Mediterranean. The visit cemented a long-distance friendship established through numberless emails. It was also an in-depth education.

On July 11, Kevin Britten of Hays, Kansas downloaded the 100 millionth song purchased from Apple's iTunes">http://www.apple.com/itunes/store/">iTunes music store. Britten spent 99¢ for "Somersault (Dangermouse remix)" by Zero 7 and, in exchange, won a 17" PowerBook, a 40GB iPod, and a gift certificate entitling him to 10,000 iTunes songs (the approximate capacity of a 40Gb iPod). As Apple counted down to 100 million, it also gave "special 20GB iPods" to the consumers who downloaded each 100,000th song between 95 million and 100 million.

Since it has been five years since the debut of SACD, one might think that the debate as to where it fits within the audiophile food chain would have been put to rest. But as with most things audio, reality conspires to make rational comparisons between formats tough. One is never sure if two releases on different formats have been rendered from the same source, or, as">http://www.stereophile.com/news/11649/">as we discovered with the recent Dark Side of the Moon hybrid SACD, from completely different masters.