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Now that the big odometer has finally turned over, John Atkinson takes a moment to look back at the last 50 years of music reproduction—the era of high-end audio. Writing in "Happy">http://www.stereophile.com//asweseeit/185/">Happy New Audio Millennium," JA offers a little perspective on where audiophiles have traveled this last half century, and where we haven't.

FireWire's prospects got a little hotter last week, as equipment manufacturers Denon">http://www.denon.com">Denon Electronics and Onkyohttp://www.onkyous.com">Onkyo; announced new license agreements with Digital">http://www.digitalharmony.com">Digital Harmony Technologies. The companies say that they have selected Digital Harmony to add standards-based IEEE-1394 (aka FireWire or iLink) interfaces to their product lines, and both companies expect to release Digital Harmony-powered products in 2000, each certified for compatibility with a number of 1394-based products made by other Digital Harmony partners in the US and Europe.

In a move that is sure to enrage users of blank digital media, Canada's Copyright">http://www.cb-cda.gc.ca/">Copyright Board has finalized plans to add a levy of 5.2 Canadian cents on CD-Rs and CD-RWs, 23.3 cents on audio cassettes over 40 minutes in length, and 60.8 cents on MiniDiscs and recordable audio CDs. In a market in which blank CD-Rs used for computer backup typically cost less than C$1 each, this represents an increase of at least 5% per disc. Interestingly, DAT tapes are excluded from the tax, as they are not seen as a threat to the music business.