News

Physical sales of music plummetedhttp://www.ifpi.org/content/library/MUSIC-MARKET-DATA-2007.pdf">plummet…; at a rate that exceeded the sales growth of legal downloads in 2007, according to the IFPI. While global digital sales grew by 40% in 2007—representing about 10% of all music sold—IFPI figures suggest that CD sales in the US dropped by 19% (10.5% in the UK).

Stereophile gets press releases every day. Some days, they are for products that strike us as really great ideas, sometimes they make us go huh? And sometimes we think both.

A few days ago, Stereophile reader Bill Taylor wrote, "I was just strolling down memory lane and took a look at the Adcom website...they just merged with Emerson."

On January 4, BusinessWeek.com reportedhttp://www.businessweek.com/technology/content/jan2008/tc2008013_398775…; that Sony BMG Music Entertainment was dropping digital rights management (DRM) from "at least part of its collection." Sony BMG thus becomes the last of the big four music labels to do so—following Warner">http://stereophile.com/news/123107warner/">Warner Music Group's example by less than a week. EMI and Universal Music Group began the stampede earlier in the year, pioneering DRM-free downloads with Amazon.comhttp://www.stereophile.com/news/100107amazon/">Amazon.com;, among other partners.

Reference Recordings, the Bay Area-based audiophile label founded by John T. "Tam" Henderson in 1976, has adopted a unique approach to computer and music server playback. Later this month, the company will begin to market what they call "HRx" discs. Incompatible with conventional optical disc players, these are data discs containing WAV files intended for playback on computer-based music servers. Each HRx is a digit-for-digit copy of an original Reference Recordings 24-bit/176.4kHz digital master. The format is slated for audition during this week's CES. It can be heard in the TAD, FIM, and Magico rooms at the Venetian, as well as in On a Higher Note's Vivid/Luxman suite at the Mirage. Actual HRx discs will be available soon thereafter.

The world of loudspeaker aficionados has at one end most of us, who use multi-way box speakers of one kind of another; in the center are the lovers of panels, electrostatic, planar magnetics—it doesn't matter as much as the fact there is no box—and at the extreme other end are the lovers of high-sensitivity designs, where massive amounts of art, artifice, and loving care are applied to wrest full-range sound from a single drive-unit. Overcoming the daunting problems of getting a single drive-unit to work from 20Hz to 20kHz is, by those, felt to be outweighed by the benefits of not having a crossover circuit.

When we awoke on December 30, we found our in-boxes full of emails linking to The Washington Post's "Download">http://www.washingtonpost.com/wp-dyn/content/article/2007/12/28/AR20071… Uproar: Record Industry Goes After Personal Use", which reported that the Recording Industry Association of America (RIAA) were charging that Jeffrey and Pamela Howell's transfer of 2000 legally purchased recordings to his computer as MP3 files represented "unauthorized copies" of copyrighted recordings.