News

In his January "Sam's Space" column, while writing about the system he used with Sutherland's Director line stage (p.32), Sam Tellig wrote "For the most part, I used now-discontinued XLO interconnects and speaker cables. XLO itself has been discontinued, alas. I do miss its founder, Roger Skoff."

We've reported many times on the mass lawsuits filed by the Recording Industry Association of America (RIAA) against individuals or institutions that it alleges are illegally participating in peer-to-peer file-sharing activities, so we felt it only fair to report on a lawsuit where the trade group is being sued. Actually, the RIAA's attorneys are being sued by James and Angela Nelson, who were themselves the target of Motown v. Nelson, which alleged that the couple had allowed an employee of Ms. Nelson's home-run daycare center to access P2P websites from their computer.

Sony BMG has agreed to settle a NY-based group action lawsuit triggered by the company's use of two different digital rights management (DRM) technologies. Click">http://www.sunbelt-software.com/ihs/alex/sonysettleme23423423434nt.pdf"… here to download a .pdf version of the 42-page Motion and Memorandum of Law in Support of Plaintiff's Application for Preliminary Approval of Class Action Settlement.

English digital audio company dCS has announced a major change in its management and ownership structure. David Steven, marketing manager for the last four years, has purchased the majority shareholding in the company. Derek Fuller, who was the business manager, has left the company, while Mike Story, dCS's founder, will continue as chief digital designer. A dCS press release says that the change should result in "products and programs that have a much more customer-centric focus."

On December 19, the Concord Music Group announced its acquisition of Telarc International Corporation, which includes the venerable audiophile label Telarc and the instrumental jazz and world music label Heads Up. Concord already owned many formerly independent labels such as Peak, Playboy Jazz, Stretch, and Concord Picante; in 2004, it acquired Fantasy Records, which encompassed Milestone, Pablo, Prestige/New Jazz, Riverside/Jazzland, Stax/Volt/Enterprise, Specialty, Takoma, and others.

This time last year the music industry was ready to celebrate. Compact disc sales were up for the first time in years, peer-to-peer file-sharing networks were reeling from lawsuits, ringtone sales were proving unexpectedly profitable, and legitimate (paid-for, that is) downloads were rising. But this year, Jim Urie, president of Universal Music Group, told The Wall Street Journal that Christmas 2005 was "a bleak holiday season at the end of a bleak year."

On December 16, Congressmen James Sensenbrenner (R-WI) and John Conyers (D-MI) introduced HR">http://static.publicknowledge.org/pdf/HR-4569-DTCSA-Analog-Hole.pdf">HR 4569, a bill "to require certain analog conversion devices to preserve digital content security measures"—in other words, to mandate that electronic devices and software manufactured after a yet-to-be-specified date respond to a copy protection system or watermark embedded in a video signal and pass that along when converting the signal to analog or vice versa. It also mandates copy protection for analog signals. This is referred to as "plugging the analog hole," since analog signals, even those converted from protected high-definition digital sources, are currently "in the clear" or open for copying. (Standard-definition signals can be protected by systems like Macrovision, but no such protection exists for high-definition signals.)