News

Every month, we get dozens of press releases about new developments in the audio industry. Many of them, detailing minor changes in product design, company policy, or personnel, are less than newsworthy. A disturbing number are written in an odd variant of English—PR Speak—In Which Every Word Is Capitalized And Quotes Are Used "For Emphasis." Others clearly have been penned by folks not fully in command of the language: Many are thus improved features of great desire and will invite happiness to include in next model.

Making good on a promise reportedhttp://www.stereophile.com/news/10923/">reported; back in December of last year, Threshold">http://www.threshold-audio.com">Threshold Audio has returned the Threshold brand to the market with a new stereo power amplifier.

As John Atkinson puts it, Meridian usually does things "their way," putting amps and DACs inside of speakers in an all-out attempt at "re-creating the original soundfield, no matter how many speakers and channels it takes to do it right." But as Atkinson finds, the Meridian">http://www.stereophile.com//digitalsourcereviews/367/">Meridian 518 Digital Audio Processor might be the company's most perverse product: "The $1650 518 offers digital inputs and outputs only. It can digitally perform gain and source selection; it can change data with one digital word length to data with another; and it does all these things with 72-bit internal precision." So JA asks, "How does the 518 fit within a conventional high-end audio system?" Read along as he figures it all out.