Stephen Mejias

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100 Waltzes for John Cage

Composer Kevin James looks a bit tired of making field recordings. Recordings for 100 Waltzes for John Cage were captured during 45+ nearly continuous hours of driving around New York City. Photo: The [kāg] ensemble.

Tuesday&#150Thursday, August 21–23, 7:30pm: In celebration of John Cage’s 100th birthday, The [kāg] ensemble will perform Kevin James’s 100 Waltzes for John Cage at the DiMenna Center, Mary Flagler Cary Hall (450 West 37th Street, New York).

Inspired by Cage’s 49 Waltzes for the Five Boroughs, for which a score was created by randomly selecting 147 locations on a New York City map, James’s work is said to answer the question, “What would Cage have done with the advanced technologies that have shaped our ever-expanding information age?”

I'd like to think he'd have thrown them out the window and made a score from their shattered bits and pieces. Kevin James, it seems, feels similarly:

Looking Forward: The xx’s Coexist

I approached The xx’s self-titled debut with caution. The hype surrounding it was enough to turn me away. I remember talking about the record with Karen at Other Music. “It’s definitely one of those albums that polarizes people,” she said.

Soon, though, it became unavoidable. I might be able to hide from it at home, but I couldn’t escape it at work. By the middle of 2010, a hi-fi show wasn’t complete without The xx.

Looking Forward: Flying Lotus’s Until the Quiet Comes

Cosmogramma, Flying Lotus’s adventurous 2010 release felt, and still feels, like a sonic joy ride, a fusion of jazz, pop, funk, and electronic music styles. Complex, playful, and sophisticated, Cosmogramma conjures 8-bit video games and Saturday morning cartoons as much as it does 1950s sci-fi, 1970s Impulse jazz, 1990s house&#151all while sounding entirely advanced, connected, soulful.

How do you follow up something like that?

Chatting with Wojciech Pacula

The Audiophile Tree of Life&#151a present from AudioStream's Michael Lavorgna. This guy watches over me while I listen to music.

In May, I exchanged a few e-mails with Wojciech Pacula, editor of the Polish online magazine, High Fidelity.

We discussed publishing, music, hi-fi, and life. (I can’t believe I didn’t mention Natalie, Nicole, the Mets, or beer.) You can read the interview here. There are also lots of pictures of my listening room and gear, which you might find interesting.

Pacula did a great job with the images and the translation. I don’t look or sound too painfully ridiculous. Whew!

A Power in the Worldwide Cassette/Awesomeness Market

From time to time, I’ve written about my interest in cassettes. While I still haven’t purchased a Nakamichi cassette deck&#151the decks are out there, I’m just waiting for the right time and the right deck&#151I’ve nevertheless kept an eye on cassette trends. For a long while, I saw very specific, very underground labels releasing tapes; and, though new cassette-only labels seemed to pop up regularly, those, too, were extremely underground and extremely independent.

More Evidence

Fab.com is an e-commerce company devoted to all kinds of design-related items, from visual art to furniture to clothing. The company specializes in flash sales on trending themes, keeping its eager followers coming back daily. Ms. Little lets us know that Fab.com is now selling LPs and turntables&#151further evidence, as if we needed it, that vinyl’s increasing popularity has hit the mainstream.
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