Turntable Reviews

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Spin Doctor #24: Connected-Fidelity TT Hub turntable and AFI FLAT.DUO record flattener and relaxer

It doesn't happen very often, but every once in a while a new turntable comes to my attention that I have no prior knowledge of. The last new turntable company that was a complete blank slate was J.Sikora, which I first encountered about six years ago courtesy of importer Jeff Fox of Notable Audio.

Now I find myself in that position again, with UK-based Connected-Fidelity and their turntable the TT Hub. Until I read the press release last December, sent to me by Mike Fajen of importer/distributor Sierra Sound, I was completely in the dark about the TT Hub, its manufacturer Connected-Fidelity, and that company's owner and head designer Michael Osborn.

J.Sikora Standard Max Supreme turntable, KV9 Max Zirconium tonearm

In his review of the J.Sikora Initial turntable, Stereophile's resident artist/sage Herb Reichert wrote, "Extended bathing, lighting candles, making tea, and preparing food are ritual work forms that prepare my senses to accept both pleasure and illumination."

When it comes to playing records, I too have a ritual. It involves carefully cleaning the vinyl, first on a Pro-Ject VC-33, followed by immersion in a HumminGuru Ultrasonic vinyl cleaner. Before and after, I inspect the record's grooves with a pricey VisibleDust Quasar R magnifier. Only then—black coffee hot, glasses cleaned, stylus brushed free of contaminants, notepad at hand—am I ready to receive the messages ingrained in a shiny black vinyl disc.

MoFi Electronics MasterDeck turntable

Perhaps the most intriguing aspect of the MoFi Electronics MasterDeck turntable ($5995), as the brainchild of Allen Perkins in his role as MoFi's Chief Analog Designer, lies in the question of how his background as a jazz drummer has shaped his approach to turn table design. How does the rhythmic sensibility of a percussionist translate into the meticulous engineering of a turntable?

"It's a little complicated," Perkins wrote over email. "Being a drummer, I am sensitive to timing in music, so it makes me sensitive to problems. However, it does not provide any direction for solutions. It could be seen as an annoying awareness as a listener, like perfect pitch. In my case, it is an advantage because I love to solve problems, in general, so I persevere and have a built-in sense to assess what I've done."

Spin Doctor #20: The Rega Naia Turntable & Humminguru S-DUO Pro Ultrasonic Stylus Cleaner

To watch as Rega very slowly expands its turntable offerings upmarket requires the patience of a Thomas Pynchon addict waiting for each new tome from the notoriously slow-working and reclusive author. Starting out 51 years ago with just one turntable model, Rega now offers turntables at seven different price levels, plus a few minor variations in between. During the "lost years" of waning turntable and vinyl sales in the 1990s and early 2000s, Rega boss Roy Gandy candidly admits that the company put little effort into advancing its turntable designs, as sales at the time didn't really justify the investment. Rega had shifted its focus to digital source components, amplifiers, and loudspeakers, and even introduced a tube CD player.

That momentum finally started to reverse about 15 years ago, as the vinyl revival started to kick in and turntable sales began to pick up again. By this point, Rega was a much larger company and was able to leverage its growing reputation to engage with cutting-edge high-tech manufacturing subcontractors. Through these new relationships, they created a test bed turntable called the Naiad that would extend their design philosophies as far as was feasibly possible...

The Naiad's high price was the result of some of the design choices that had already been made, when scaling up for production wasn't even under consideration. Rega knew it wouldn't be too difficult to create a more production-ready version, into which they could distill most of what they had learned from building the Naiad. The result is the Naia, where with just a few simple changes, they have managed to undercut the Naiad's price by more than 70%, down to $12,995.

Gramophone Dreams #92: Technics SL-1300G record player

Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.

To play a disc with Technics' new SL-1300G record player means pushing its round On button, then touching one or more of its rectangular speed selector buttons, then pushing the big square [Start:Stop] button, then unclamping the tonearm and using its cue lever to raise it up.

Next comes the part where my heart beats a little faster: using the headshell's fingerlift to position the arm over the disc and lower it into a groove.

When the needle contacts the groove, the whole system kicks in and sound comes out.

Clearaudio Signature turntable & Tracer tonearm

In midsummer 2022, I reviewed the German-made Clearaudio Reference Jubilee turntable, a $30,000 vinyl virtuoso that played music with clear-headed realism, brain-opening transparency, and lifelike speed and dynamics. Its performance was nothing short of exhilarating. It was one of the top three turntables I had ever laid my ears upon.

Clearaudio's house sound, whether from the affordable to the mortgage-busting, is one of refinement, lucidity, clarity, precision, and quietness. Which brings us to the Clearaudio Signature turntable, a joint offering from Clearaudio GmbH and its US distributor, Musical Surroundings.

Analog Corner #237: Ortofon MC A95 phono cartridge, Brinkmann Audio Spyder turntable and 12.1 tonearm

It's difficult to believe that more than five years have passed since Ortofon introduced its ground-breaking MC A90 moving-coil cartridge ($4200 when last available). The limited-edition MC A90, with its radically shaped body made of powdered stainless steel Selective Laser Melting (SLM), celebrated Ortofon's 90th year in business. The MC A95 ($6500), celebrating their 95th year, retains the A90's seductive shape, but the new body is built of powdered titanium, and thus is even more effectively self-damped.

Analog Corner #240: Sperling-Audio L-1 turntable and TA-1 tonearm

Photo: Echopark

With its swept-wing shape and platter-forward design, Sperling-Audio's L-1 turntable ($35,950, without tonearm) stands out in a crowd. This high-mass design from Germany is the result of a collaboration between Ansgar Sperling and Michael Bönninghoff, two fiftysomething engineers who began working together in recording studio construction.

Both also bring to the L-1's design and construction years of experience in signal processing. For years, Bönninghoff was the chief developer at Brauner microphones, and today is the technical director of the German pro-audio company S.E.A. Sperling worked in radio and signal processing, and has a strong interest in tubed electronics.

EMT 928 II record player

Modern turntables are a paradox. The ever-evolving technology beneath their sleek exteriors fascinates me. The high-end turntable market these days can feel less like a haven for music lovers and more like a brutalist arms race in pursuit of maximum audio extraction.

Yet, it's not all about performance. Many new 'tables are adorned with outlandish, purely cosmetic flourishes that cause me to chuckle. Some super-bling record players, with their jutting angles and industrial menace, evoke the chrome carcass of the Battlestar Galactica, a testament to mechanical might. Others are even more menacing, channeling the mirror-finish abyss of Darth Vader's helmet, gleaming with a promise of sonic domination—but is that an invitation or a threat?

Setting aside those cosmetic affectations, it's a war, and the enemy—well, the main enemy anyway—is vibrations, which may seem strange considering that vibrations are the whole point of the endeavor.

Analog Corner #243: TechDAS Air Force Two turntable, Graham Phantom Elite tonearm

How big is the performance gap between TechDAS's new Air Force Two ($52,000) and original Air Force One ($105,000) turntables? How do you halve the price without also sacrificing the build quality and features of the flagship model that defines the brand? Even $52,000 is more than most people pay for an automobile, not to mention a turntable. Still, TechDAS's assertion on their website that the price of their new model price is "reasonably improved" over the old strikes me as an understatement.
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