Recording of the Month

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Recording of October 2003: Private Astronomy

GEOFF MULDAUR'S FUTURISTIC ENSEMBLE: Private Astronomy: A Vision of the Music of Bix Beiderbecke
Edge 028947458326 (CD). 2003. Conceived & arranged by Geoff Muldaur; Dick Connette, prod.; Joe Boyd, exec. prod.; Eve Seltzer, Gary Carroll, Tristan Leral, Scott Lehrer, Dave Winslow, Mark Linett, Keith Weschler, Neil Couser, engs. AAD? TT:42:18
Performance *****
Sonics ****

Recording of October 2004: Careless Love

MADELEINE PEYROUX: Careless Love

Madeleine Peyroux, vocals, acoustic guitar; Lee Thornburg, trumpet; Dean Parks, guitars; Larry Goldings, piano; David Piltch, bass; Jay Bellerose, drums; Scott Amendola, brushes.

Rounder 11661 3192-2 (CD). 2004. Larry Klein, prod.; Helik Hadar, eng.; Ricky Chao, Nicolas Fournier, asst. engs. AAD. TT: 42:56

Performance ****

Sonics ****

Recording of October 2011: The Time of the Sun

1011rotm.jpgTom Harrell: The Time of the Sun
Tom Harrell, trumpet, flugelhorn; Wayne Escoffery, tenor saxophone; Danny Grissett, piano, Fender Rhodes; Ugonna Okegwo, bass; Johnathan Blake, drums
High Note HCD7222 (CD). 2011. Tom Harrell, Wayne Escoffery, Angela Harrell, prods.; Joe Fields, exec. prod.; Mike Marciano, eng. AAD? TT: 62:12
Performance ****½
Sonics ****½

Trumpeters use their horns to search for truth. At least that's the folk tale. Somehow, that pure, ringing tone that most strive for at some point in their career—think Louis Armstrong, Clifford Brown, Miles Davis—suggests a quest for deeper knowledge, something closer to the heart. In effect, trumpeters play a knife—a blade that can cut through nerve, bone, and sinew to that heart; to realizations, we'd like to think, that force them to be honest.

Recording of October 2013: Selected Signs III–VIII

The most indelicate, if not gory, term in all of music is the ever-popular "bleeding chunks." The bane of classical audiences cursed with lazy pops conductors, bleeding chunks are movements of works—or even parts of movements—strung together in that abomination known as a medley. The effect can be, I guess, soothing to those who, for example, know only a little about Mozart. But for anyone well versed in their Wolfy, these programs are jarring, and can produce involuntarily grinding of those cavity-prone back molars.

Recording of October 2014: Bruckner: Symphony 9

Bruckner: Symphony 9
Claudio Abbado, Lucerne Festival Orchestra
Deutsche Grammophon 479 3441 (CD, 48/24 download from HDTracks). 2014. Georg Obermayer, prod., ed.; Urs Dürr, Toine Mertens, engs. DDD. TT: 63:09
Performance *****
Sonics ****½

This performance of Bruckner's last, all-but-finished composition was recorded at the last concert conducted by Claudio Abbado. It is a fitting final statement by an interpreter of unparalleled sensitivity, intelligence, and taste.

The Ninth is no serene work, and Abbado's earlier recording, with the Vienna Philharmonic, is a darker, more intensely driven vision of Bruckner's fight to live long enough to complete his most profound, most ambitious composition. The difficulties of that double struggle are evident throughout the three movements Bruckner completed (Abbado never conducted a completion of the nearly finished Finale), and in 1996 in Vienna, those struggles seemed the story Abbado wanted to tell.

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